5 25 263 https://adelta.uws.edu.au/files/original/1042d9c0217f78de43683aa04e0a96fd.png dd08b1a802ed7aba3e58b121fcdea525 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Genre Installation Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Installation Work URL The URL of the original work, included as an HTML link. <a href="http://eugeniaraskopoulos.com/works/">http://eugeniaraskopoulos.com/works/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource I Wish I Was at the Beach Creator An entity primarily responsible for making the resource Raskopoulos, Eugenia Date A point or period of time associated with an event in the lifecycle of the resource 2014 Subject The topic of the resource Installation Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Installation https://adelta.uws.edu.au/files/original/71f0a4d551e09da404c863b6bf26cca2.png ea5cec385cf34999df88eff70b8160cb https://adelta.uws.edu.au/files/original/acf9cf8435637200b72ec87c13f995fe.png 2952b88b63214836c3410ab8ca4ca98d https://adelta.uws.edu.au/files/original/5bc59cc2d9dff8af73407864d4a595ca.png 4a5802a621a6f6c7d4531beb066aae53 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Work URL The URL of the original work, included as an HTML link. <a href="http://www.bumpp.net/art-bump.htm">http://www.bumpp.net/art-bump.htm</a> Artist Statement A statement about the work, as provided by the artist(s). Two teams, warriors all, enter the great cycle of pain, humiliation, and exhilaration. Different women take the lead, driven by a new and ardent desire. Some come from the Furies, expressing the unappeasable anger of the dead, while alluring others are descended from the Sirens, liberated from their meadow starred with flowers. Streaming forward are the daughters of the Sibyls, each violent twist and collision triggering a momentary collapse in time through which their bodies can sing the future. Fragments of ecstatic prophesies spit out through the screen, interrupted by an occasional image of life at its most minuscule, revealing universes within universes. We struggle to make sense of the formless, the imperceptible. We struggle to name our fear, yet once we recognise it, we become liberated. Over time the women's power and courage increases. They are formidable, licking the future into shape. As they fall to their knees, the Invisible emerges through a bed of skulls into the yawn of radiance. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.bumpp.net/art-bump.htm">Description from Bump Projects </a> Genre Video projection Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Rimini_iRoller Title A name given to the resource I-ROLLER the Screen of Changes Creator An entity primarily responsible for making the resource da Rimini, Francesca Date A point or period of time associated with an event in the lifecycle of the resource 2010 Contributor An entity responsible for making contributions to the resource Graham, Ali Language A language of the resource English Description An account of the resource Artist Statement Two teams, warriors all, enter the great cycle of pain, humiliation, and exhilaration. Different women take the lead, driven by a new and ardent desire. Some come from the Furies, expressing the unappeasable anger of the dead, while alluring others are descended from the Sirens, liberated from their meadow starred with flowers. Streaming forward are the daughters of the Sibyls, each violent twist and collision triggering a momentary collapse in time through which their bodies can sing the future. Fragments of ecstatic prophesies spit out through the screen, interrupted by an occasional image of life at its most minuscule, revealing universes within universes. We struggle to make sense of the formless, the imperceptible. We struggle to name our fear, yet once we recognise it, we become liberated. Over time the women's power and courage increases. They are formidable, licking the future into shape. As they fall to their knees, the Invisible emerges through a bed of skulls into the yawn of radiance. <a href="http://www.bumpp.net/art-bump.htm">Description from Bump Projects</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Francesca da Rimini https://adelta.uws.edu.au/files/original/ec110f6dd4031befaa163bb7360c1520.png a8f9e71d9d169b1eb1d40e2669a4bdca https://adelta.uws.edu.au/files/original/39f47b75d16594d99b015f9ef48e5fa2.png 5083172e0969cfc82a3ca1b2e41334f6 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime HTML Genre Web based digital poetry / Hypertext Work URL The URL of the original work, included as an HTML link. <a href="http://www.overthere.com.au/writing/imaginative.html">http://www.overthere.com.au/writing/imaginative.html</a> Artist Statement A statement about the work, as provided by the artist(s). Imaginative Reading V is a collaborative web site in 15 paragraphs. A female academic writer is exploring how aspects of her thesis on intertextuality might be "written" in the future by the baby she bore while doing her PhD. A male artist interacts with this writing and develops the writing into both static and moving images and written text. There is a play across genders, textual media, academies vs independence and both artists and writers. Imaginative Reading V is also designed to be read as a fiction, though, and hopefully as something that traverses generic boundaries in order to be open-ended ... Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.overthere.com.au/writing/imaginative.html">Description in author's website</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Caney_imaginative Title A name given to the resource Imaginative Reading V Creator An entity primarily responsible for making the resource Caney, Diane Contributor An entity responsible for making contributions to the resource Petterd, Robin Language A language of the resource English Subject The topic of the resource Net poetry Description An account of the resource Artist Statement Imaginative Reading V is a collaborative web site in 15 paragraphs. A female academic writer is exploring how aspects of her thesis on intertextuality might be "written" in the future by the baby she bore while doing her PhD. A male artist interacts with this writing and develops the writing into both static and moving images and written text. There is a play across genders, textual media, academies vs independence and both artists and writers. Imaginative Reading V is also designed to be read as a fiction, though, and hopefully as something that traverses generic boundaries in order to be open-ended ... <a href="http://www.overthere.com.au/writing/imaginative.html">Source of Artist Statement</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Diane Caney Net poetry https://adelta.uws.edu.au/files/original/3e4b5dea86e9fec0ac19bd8a7d13fde9.png c952499ca67aeb774290721250aa4b47 https://adelta.uws.edu.au/files/original/a03588d554c7d945a00602606314b007.png 2f2694df56377391fab2f456b68338f9 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.heliozoa.com/resume/cube.html">http://www.heliozoa.com/resume/cube.html</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://www.heliozoa.com/resume/cube.html">Description from author's website</a> Genre Web based digital poetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Nelson_unrated Title A name given to the resource In an Unrated Sequences Comes Creator An entity primarily responsible for making the resource Nelson, Jason Language A language of the resource English Description An account of the resource All simple colours and one page poeticals. Built to rearrange, to force the reader/ user to play. Rollover sounds lead to the original order of the poem. <a href="http://www.heliozoa.com/resume/cube.html">Source of Description</a> Rights Information about rights held in and over the resource Copyright Jason Nelson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Digital poetry Jason Nelson Net art https://adelta.uws.edu.au/files/original/55f231918642a5cf499e8f47efaff3f7.png 3aca7e54d8baa47e830e4c92562654b7 https://adelta.uws.edu.au/files/original/59b7689a16898d4d7dcb06b6737ab45e.png 7217d6d0c60e406f71353af5a3008ae7 https://adelta.uws.edu.au/files/original/066fb902c0ba7eee5b595c65f01e6b55.png 28025f32f7d079615105235452d518d8 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Work URL The URL of the original work, included as an HTML link. <a href="http://www.crossart.com.au/index.php/ruark-lewis-loma-bridge-in-my-empty-house-26-november-23-december-to-2010.html">http://www.crossart.com.au/index.php/ruark-lewis-loma-bridge-in-my-empty-house-26-november-23-december-to-2010.html</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://www.crossart.com.au/index.php/ruark-lewis-loma-bridge-in-my-empty-house-26-november-23-december-to-2010.html">The Cross Art Projects website, an initiative for Contemporary Art and Curatorial Platforms</a> Genre Installation Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Lewis_empty Title A name given to the resource In My Empty House Creator An entity primarily responsible for making the resource Lewis, Ruark Date A point or period of time associated with an event in the lifecycle of the resource 2010* Description An account of the resource A major new installation work by Ruark Lewis, In my empty house, includes a collaboration with experimental filmmaker Loma Bridge. The exhibition is a portrait composite of internationally renowned anthropologist Vivienne Kondos and her husband Alex Kondos leaving their house, a space filled with the accumulated ephemera of living and the patina of over thirty years of anthropological and social research. The exhibition, on one level, is an inverted portrait of the discipline of anthropology and its parameters and inherent subjectivity and cites, in particular, Vivienne Kondos's major work "The Ethos of Hindu Women" (2004.) <a href="http://www.crossart.com.au/index.php/ruark-lewis-loma-bridge-in-my-empty-house-26-november-23-december-to-2010.html">The Cross Art Projects website, an initiative for Contemporary Art and Curatorial Platforms</a> Language A language of the resource English Contributor An entity responsible for making contributions to the resource Bridge, Loma Subject The topic of the resource Installation Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Installation Ruark Lewis https://adelta.uws.edu.au/files/original/90bba343f58425858b7326442681da77.png 35dea1901230fb305e534639fe3fb73e https://adelta.uws.edu.au/files/original/860cfa7296001d8d60df71ff85eb556b.png 42f0d0929b7a16ba2f1d569e89d6b351 https://adelta.uws.edu.au/files/original/153c63975aac9a587d0e55a9341d04b9.png f8dc6efdff0299513a7f6beda8a936a1 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Media Video installation Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime installation Work URL The URL of the original work, included as an HTML link. <a href="http://www.out-of-sync.com/InsearchSea/Insearch1.html">http://www.out-of-sync.com/InsearchSea/Insearch1.html</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. Gillian Fuller Artist Statement A statement about the work, as provided by the artist(s). In 1829-30 the explorer Charles Sturt and his party hauled a whaling boat over the mountains to sail downstream along the Murrumbidgee River to the Murray in search of an imaginary inland sea. Beginning in Sydney, the artists made a (miniature - paper) whaling boat to take along Sturt's trail, the boat acting as a transportation/transformation device for their journey into memory and imagination. Making paper boats with found material along the way, and then with videos and soundtracks, they updated Sturt's journey as a performative media event for the 21st century. Three soundtracks, three scenes and a pile of paper boats.<a href="http://www.out-of-sync.com/InsearchSea/Insearch1.html"> </a> Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.out-of-sync.com/InsearchSea/Insearch1.html">Description from artists' website</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Miranda_Neumark_inlandsea Title A name given to the resource In Search of the Inland Sea Creator An entity primarily responsible for making the resource Out-of-sync Date A point or period of time associated with an event in the lifecycle of the resource 2009 Contributor An entity responsible for making contributions to the resource Neumark, Norie Miranda, Maria Description An account of the resource In Search of the Inland Sea is a three part video/sound work, installation and performance event that remixes a journey of early Australian explorer, Charles Sturt, in which he hauled a whaleboat overland in search of an inland sea. As the artists record their journey into inland Australia, they carry paper boats with them. These boats intervene or feature in each of the narratives that are laid over physical places visited on the journey. In voiceover actors narrate scenes taken from genre movies. Gillian Fuller Artist Statement In 1829-30 the explorer Charles Sturt and his party hauled a whaling boat over the mountains to sail downstream along the Murrumbidgee River to the Murray in search of an imaginary inland sea. Beginning in Sydney, the artists made a (miniature - paper) whaling boat to take along Sturt's trail, the boat acting as a transportation/transformation device for their journey into memory and imagination. Making paper boats with found material along the way, and then with videos and soundtracks, they updated Sturt's journey as a performative media event for the 21st century. Three soundtracks, three scenes and a pile of paper boats. <a href="http://www.out-of-sync.com/InsearchSea/Insearch1.html">Source of Artist Statement</a> Language A language of the resource English Rights Information about rights held in and over the resource Copyright Norie Neumark and Maria Miranda. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Installation Out-of-sync https://adelta.uws.edu.au/files/original/de763472273ed1197a88110827a7f34b.png 79d4e03739e8bfdf9c2a8ee33b75da35 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Video installation Work URL The URL of the original work, included as an HTML link. <a href="http://www.lalouver.com/roguewaveprojects/html/grant-stevens.html">http://www.lalouver.com/roguewaveprojects/html/grant-stevens.html</a> Genre Video installation Image 1 Description / Attribution Information provided from the work's creator(s); either describing the image which represents the work, or attribution of the image which represents the work within ADELTA. Grant Stevens, In the Beyond, 2008, digital video with sound, 7 min 33 sec, video still, courtesy the artist and Sullivan + Strumpf, Sydney Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Stevens_beyond Title A name given to the resource In the Beyond Creator An entity primarily responsible for making the resource Stevens, Grant Date A point or period of time associated with an event in the lifecycle of the resource 2008 Language A language of the resource English Subject The topic of the resource Digital video Video installation Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Digital video Grant Stevens Video installation https://adelta.uws.edu.au/files/original/a6b99de76a9bb60084958549dc948f98.png 66990fd6b64a47d709face992b5aa589 https://adelta.uws.edu.au/files/original/ccb8a8f47817bb161bd3721e8b43a133.png 4921b43f938937044bc58d493f6fa927 https://adelta.uws.edu.au/files/original/d1010dc9985394581a1c3c9ee57af291.png 2f062fe49f821db5370155d670c9126e ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Installation/Vimeo Work URL The URL of the original work, included as an HTML link. <a href="http://vimeo.com/70987911">http://vimeo.com/70987911</a> Artist Statement A statement about the work, as provided by the artist(s). This video by Josephine Starrs & Leon Cmielewski embeds the words 'a living body' into an image of the Coorong, South Australia. This is how Tom Trevorrow, a Ngarrindjeri elder and custodian described the Coorong wetlands. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://vimeo.com/70987911">Authors' statement from Vimeo</a> Genre Video installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Starrs_Cmielewski_livingBodies Title A name given to the resource Incompatible Elements: A Living Body Creator An entity primarily responsible for making the resource Starrs, Josephine Cmielewski, Leon Date A point or period of time associated with an event in the lifecycle of the resource 2010-ongoing Contributor An entity responsible for making contributions to the resource Davies, Alex Language A language of the resource English Description An account of the resource Artist Statement This video by Josephine Starrs & Leon Cmielewski embeds the words 'a living body' into an image of the Coorong, South Australia. This is how Tom Trevorrow, a Ngarrindjeri elder and custodian described the Coorong wetlands. <a href="http://vimeo.com/70987911">Source of Artist Statement (Vimeo)</a> Rights Information about rights held in and over the resource Copyright Josephine Starrs and Leon Cmielewski. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Josephine Starrs Leon Cmielewski Video installation https://adelta.uws.edu.au/files/original/28c0c4cc74b1ea2c1d76084ad5be3592.png 4e1dfed89e6cde1a049e0f211aa58442 https://adelta.uws.edu.au/files/original/e1a888fb11ae33dac580dc4f60a1b518.png 57ae77a808375f5e4fd086d232829ddc https://adelta.uws.edu.au/files/original/bb1b4164f82e24cf1ac42c9b1a052076.png 6e295aef9f893d297b7ff728f815be38 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Installation/Vimeo Artist Statement A statement about the work, as provided by the artist(s). Incompatible Elements is an ongoing project that evolved during an artist residency at Performance Space, Carriageworks. The media art installation explores ways of representing the relationship between nature and culture, embedding poetic texts into animated satellite images of landscapes in crisis due to the effects of climate change in the Asia/Pacific region. <a href="http://lx.sysx.org/?page_id=80">Statement from authors' website</a> Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://lx.sysx.org/?page_id=80">Statement from authors' website</a> Genre Video installation Work URL The URL of the original work, included as an HTML link. <a href="https://vimeo.com/18688743">https://vimeo.com/18688743</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Starrs_Cmielewski_incompatible Title A name given to the resource Incompatible Elements: Days Like This Creator An entity primarily responsible for making the resource Starrs, Josephine Cmielewski, Leon Date A point or period of time associated with an event in the lifecycle of the resource 2010-ongoing Contributor An entity responsible for making contributions to the resource Davies, Alex Language A language of the resource English Description An account of the resource Artist Statement Incompatible Elements is an ongoing project that evolved during an artist residency at Performance Space, Carriageworks. The media art installation explores ways of representing the relationship between nature and culture, embedding poetic texts into animated satellite images of landscapes in crisis due to the effects of climate change in the Asia/Pacific region. <a href="http://lx.sysx.org/?page_id=80">Source of Artist Statement</a> Rights Information about rights held in and over the resource Copyright Josephine Starrs and Leon Cmielewski. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Josephine Starrs Leon Cmielewski Video installation https://adelta.uws.edu.au/files/original/920cf45f97f452102620d561a3fe4ca4.png 66a9ea11537cf0a485a761c851581967 https://adelta.uws.edu.au/files/original/253eb50b574e21490102661c893c08dd.png f77eccea1facce0c1dfbc5ad6fed1ab1 https://adelta.uws.edu.au/files/original/cbc50798d1ae70ee4c63f397827fd037.png 3420051cb0e8ac85bfafdec8582b3c68 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Media Multimedia online publication Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime YouTube/ PDF Genre Collaborative Composition Work URL The URL of the original work, included as an HTML link. <a href="http://www.inflexions.org/tangents/sydney/generativethought.html">http://www.inflexions.org/tangents/sydney/generativethought.html</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Murphie_inflexions Title A name given to the resource INFLeXions: Generative Thought Machine Creator An entity primarily responsible for making the resource Murphie, Andrew Wall-Smith, Mat Munster, Anna Fuller, Gillian Bertelsen,Lone Date A point or period of time associated with an event in the lifecycle of the resource 2009 Language A language of the resource English Rights Information about rights held in and over the resource Creative Commons . The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Animation Critical work Generative thought machine Andrew Murphie Animation Anna Munster Critical work Generative thought machine Gillian Fuller Lone Bertelsen Mat Wall-Smith https://adelta.uws.edu.au/files/original/f7f9a88d9293329d58b85f1b33827e21.png 7696bc75adac2bc61b400101529aad6b https://adelta.uws.edu.au/files/original/745f18babe1f97726b7be632714bded1.png cd6fd9580189b91902314fd91a698644 https://adelta.uws.edu.au/files/original/2e8469dd65e9913eb218ef17d6e6a8a0.png 90b134da0c94d97e02ca43e66f0d0658 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Critical Work Inside/Outside Intertextuality Media Web based critical work Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime HTML Genre Hypertext Work URL The URL of the original work, included as an HTML link. <a href="http://www.overthere.com.au/digital/index.html">http://www.overthere.com.au/digital/index.html</a> Artist Statement A statement about the work, as provided by the artist(s). Inside/outside intertextuality is a collection of fragments relating to text, new technologies, identity and language. Both text and language are considered in their broadest contexts: as entities which transmute as they voyage across the parallel virtualities of technology and readerly space. I argue that identity is splintered enmeshments ...There are no strict conclusions in this composite text which I regard as always already entangling with a vast world (while it is being read): that of the multi-faceted virtual realities of its reader(s). Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.overthere.com.au/digital/index.html%5D">Description in author's website</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Caney_insideOutside Title A name given to the resource Inside/Outside Intertextuality Creator An entity primarily responsible for making the resource Caney, Diane Date A point or period of time associated with an event in the lifecycle of the resource 1999 Language A language of the resource English Subject The topic of the resource Hypertext Description An account of the resource Artist Statement Inside/outside intertextuality is a collection of fragments relating to text, new technologies, identity and language. Both text and language are considered in their broadest contexts: as entities which transmute as they voyage across the parallel virtualities of technology and readerly space. I argue that identity is splintered enmeshments ...There are no strict conclusions in this composite text which I regard as always already entangling with a vast world (while it is being read): that of the multi-faceted virtual realities of its reader(s). <a href="http://www.overthere.com.au/digital/index.html%5D">Source of Artist Statement</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Diane Caney https://adelta.uws.edu.au/files/original/480d8ad53ead2181051471601eea554d.png a54acbb16357c0f8282e2acd48bbcd8b https://adelta.uws.edu.au/files/original/1dafb99c5f36884f0b07bd433671e6fc.png ce6ab7ccd286a3b68e6fab04e4b251a8 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Work URL The URL of the original work, included as an HTML link. <a href="http://www.drunkenboat.com/db12/06des/smith/instabilities.php">http://www.drunkenboat.com/db12/06des/smith/instabilities.php</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://www.drunkenboat.com/db12/06des/smith/statement.php">Excerpt from Drunken Boat, an online journal of art and literature. Issue No.12</a> Genre Live coding/performative multimedia work Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Smith_instabilities2 Title A name given to the resource Instabilities 2 Creator An entity primarily responsible for making the resource Smith, Hazel Dean, Roger Date A point or period of time associated with an event in the lifecycle of the resource 2009 Contributor An entity responsible for making contributions to the resource White, Greg Evans,Sandy Slater, Phil Description An account of the resource Instabilities 2 [...] subjects a discontinuous text to various kinds of processing. The screen is divided into three sections which counterpoint each other. The top section consists of a video made by Hazel Smith comprising twelve short texts. The middle section consists of the same material processed in the program Jitter by Roger Dean, and involves various forms of overlaying, erasing and stretching of the words. In a third section of the screen the same texts together with others which do not appear in the top movie are processed in real-time by Roger Dean by means of a Text Transformation Toolkit (TTT) written in Python. The processing substitutes words and letters so that new text emerges, together with a spoken realization of some parts of the text, new and old. The pre-written fragments circle around the idea of social, historical, and psychological instabilities, but during the processing new instabilities syntactical, semantic, and phonemic also arise. In addition, computer-synthesised voices add an aural dimension to textual change. <a href="http://www.drunkenboat.com/db12/06des/smith/statement.php">Excerpt from Drunken Boat, an online journal of art and literature. Issue No.12</a> Language A language of the resource English Rights Information about rights held in and over the resource Copyright Hazel Smith, Roger Dean, Greg White Sandy Evans and Phil Slater. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Generative text Hazel Smith Performative multimedia work Roger Dean Verbal interactivity project https://adelta.uws.edu.au/files/original/2bfd4eff44b7f80031fa17356c2ff3e5.png 53ddd9066d99e313b2d178e07181040a https://adelta.uws.edu.au/files/original/1396ead487c397bdc11a445c8b61f9db.png cc540be8b6c98d8e94d98ebee5c83d42 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Installation Work URL The URL of the original work, included as an HTML link. <a href="http://lx.sysx.org/?page_id=78">http://lx.sysx.org/?page_id=78</a> Artist Statement A statement about the work, as provided by the artist(s). A mixed media installation exploring the female body and alien conspiracy theories. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://lx.sysx.org/?page_id=78">Statement from author's website</a> Genre Multimedia installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Starrs_Cmielewski_internal Title A name given to the resource Internal Aliens Creator An entity primarily responsible for making the resource Starrs, Josephine Date A point or period of time associated with an event in the lifecycle of the resource 2000 Language A language of the resource English Description An account of the resource Artist Statement A mixed media installation exploring the female body and alien conspiracy theories. <a href="http://lx.sysx.org/?page_id=78">Source of Artist Statement</a> Rights Information about rights held in and over the resource Copyright Josephine Starrs. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Installation Josephine Starrs https://adelta.uws.edu.au/files/original/674bfcedc888f135aa8882b63002b186.png 14bcad0c35e15010d5616187a94bee24 https://adelta.uws.edu.au/files/original/e9fb3858990659f42992835ef30407d0.png 0ca71462fba4a5ae106536882f9e8d9c https://adelta.uws.edu.au/files/original/63ef825e06e7f9e4959a05cc27de1861.png 9cdfeb44c837c42b42f0cb6163752553 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime QuickTime Genre Hypertext Work URL The URL of the original work, included as an HTML link. <a href="http://www.asu.edu/pipercwcenter/how2journal/archive/online_archive/v1_5_2001/current/special-feature/intertqt/startqt.htm">http://www.asu.edu/pipercwcenter/how2journal/archive/online_archive/v1_5_2001/current/special-feature/intertqt/startqt.htm</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Smith_Intertwingling Title A name given to the resource Intertwingling Creator An entity primarily responsible for making the resource Smith, Hazel Dean, Roger White, Greg The AustraLYSIS Electroband Date A point or period of time associated with an event in the lifecycle of the resource 1999 Language A language of the resource English Rights Information about rights held in and over the resource Copyright Hazel Smith and the austraLYSIS electroband. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Hazel Smith Hypertext https://adelta.uws.edu.au/files/original/89c1f42191a2a397c1dadfb75bd12f50.png 1ba555224318f2d15afba7e11de14efa https://adelta.uws.edu.au/files/original/4e6d8d1f66c8d6127d45d52b96d5516a.png d39974bf8529cc3aa770735e341502de ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Genre Multimedia performance/3x Code projections Work URL The URL of the original work, included as an HTML link. <a href="http://sister0.org/?ism-breath-she/">http://sister0.org/?ism-breath-she/</a> Artist Statement A statement about the work, as provided by the artist(s). Transcending the realm of the anecdotal, in the dark magic space of the shell, the artist divines classic texts, reconfigures it into lists, a literary pirate she reveals its treasure. Using command tools (cat, sed, grep, regex) from GNU/Linux community, in this particular work the artist parses through the essay 'A Room of One's Own' by Virginia Woolf, the semiotic analysis transfigures the work into its essence. Woolf's essay, a cogent masterpiece, sharply references the writer's experience and the place of women characters in the University, in fiction and in society per se. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://sister0.org/?ism-breath-she/">Description from author's website</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MauroFlaude_ism Title A name given to the resource ism / breath / she / who / with / I Creator An entity primarily responsible for making the resource Mauro-Flude, Nancy Date A point or period of time associated with an event in the lifecycle of the resource 2012 Language A language of the resource English Subject The topic of the resource Coded poetry Multimedia performance Description An account of the resource Artist Statement Transcending the realm of the anecdotal, in the dark magic space of the shell, the artist divines classic texts, reconfigures it into lists, a literary pirate she reveals its treasure. Using command tools (cat, sed, grep, regex) from GNU/Linux community, in this particular work the artist parses through the essay 'A Room of One's Own' by Virginia Woolf, the semiotic analysis transfigures the work into its essence. Woolf's essay, a cogent masterpiece, sharply references the writer's experience and the place of women characters in the University, in fiction and in society per se. <a href="http://sister0.org/?ism-breath-she/">Source of Artist Statement</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Coded poetry Multimedia performance Nancy Mauro-Flude https://adelta.uws.edu.au/files/original/33d4d461a5a85337576f0b588e07d70c.png 7ff2a93013c812e19d94373ded56369d https://adelta.uws.edu.au/files/original/27e103cc8ce91f4e7c64c951d74d5fe9.png 791dd49aa88a0a1609866f1bcfb9a15a ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Work URL The URL of the original work, included as an HTML link. <a href="http://iuxta.cc/">http://iuxta.cc/</a> Artist Statement A statement about the work, as provided by the artist(s). IUXTA investigates the narrative possibilities of the network. IUXTA generates a user generated, augmented reality network will evolve across world. I invite you to participate in this multi-nodal narrative, a narrative that is always in a flux of fragmentation and recombination. Chapter 1 was presented as part of ISEA 2013 and now Chapter 2 begins to evolve centered around Adelaide and ISMAR 2013. In IUXTA I ask you to help spread and embed my own personal and historical narrative into the physical world around us. Over time, this narrative will proliferate according to its own inner logic. You can use the IUXTA mobile viewer to observe and listen to the narrative's current state in real time and in relation to your own physical location. You can also use the IUXTA web app not available on mobile devices) to explore a simulation of the narrative network. Physical locations where narrative nodes are concentrated are marked but not labeled. The IUXTA app is now available on the app store and the Google play store. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://iuxta.cc/">IUXTA Project website</a> Genre Locative art Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Mobile app/Web app Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Rodley_Burrell_IUXTA Title A name given to the resource IUXTA Creator An entity primarily responsible for making the resource Burrell, Andrew Date A point or period of time associated with an event in the lifecycle of the resource 2013 Language A language of the resource English Rights Information about rights held in and over the resource Copyright Andrew Burrell. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Description An account of the resource Artist Statement IUXTA investigates the narrative possibilities of the network. IUXTA generates a user generated, augmented reality network will evolve across world. I invite you to participate in this multi-nodal narrative, a narrative that is always in a flux of fragmentation and recombination. Chapter 1 was presented as part of ISEA 2013 and now Chapter 2 begins to evolve centered around Adelaide and ISMAR 2013. In IUXTA I ask you to help spread and embed my own personal and historical narrative into the physical world around us. Over time, this narrative will proliferate according to its own inner logic. You can use the IUXTA mobile viewer to observe and listen to the narrative's current state in real time and in relation to your own physical location. You can also use the IUXTA web app not available on mobile devices) to explore a simulation of the narrative network. Physical locations where narrative nodes are concentrated are marked but not labeled. The IUXTA app is now available on the app store and the Google play store. <a href="http://iuxta.cc/">IUXTA Project website</a> Subject The topic of the resource Algorithmic realtime data reinterpretation New media Algorithmic realtime data reinterpretation Andrew Burrell New media https://adelta.uws.edu.au/files/original/13d1a5aceabb93074d54e90338135267.png b8da532e9265fd8dcdedd5c7a82be0b6 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime HTML/Java Work URL The URL of the original work, included as an HTML link. <a href="http://komninos.com.au/cyberpoetry/cyberpoetry1995-1997/javainf1.html">http://komninos.com.au/cyberpoetry/cyberpoetry1995-1997/javainf1.html</a> Genre Web based digital poetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Zervos_javaPoems Title A name given to the resource Java Poems Creator An entity primarily responsible for making the resource Zervos, Komninos Description An account of the resource This trio of early e-poems were written in HTML and use Java applets to shape their linguistic texts with a careful touch. 'Infinity' and 'Internet Junkie' both change the colour of the text over a schedule to shape readings and to imbue them with a nervous energy. In 'Infinity' (displayed above) the rarely used tag reinforces the instability of textual meaning as the phrases can be read with and without the three blinking words, 'reality,' 'literary,' and 'Why?' In 'Internet Junkie' the increased rate of colour change from one stanza to the next mimics the increasing urgency of the addict's need. The final poem in the piece uses the 'NervousText' applet by Daniel Wyszynski to animate its words, 'KOMNINOS is a poet,' which can be soothed into static stability with a mouse click. <a href="http://iloveepoetry.com/?p=403">Excerpt of Leonardo Flores' description, I love E-Poetry</a> Language A language of the resource English Rights Information about rights held in and over the resource Copyright Komninos Zervos. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Cyberpoetry HTML Java Kinetic Responsive Cyberpoetry HTML Java Kinetic Komninos Zervos Responsive https://adelta.uws.edu.au/files/original/7e2b56b3ae126581edeb1cf4db5ab7c6.png c3abedcd422f1b5af9b2469567bce820 https://adelta.uws.edu.au/files/original/adcda94fe1ab247ef1c648c26951fe69.png c0d0851cad90e60b0106cae9eab35afc https://adelta.uws.edu.au/files/original/02f3236884b7d0f59672bdfe623d9846.png 3da5030057c7d98f100436a696963808 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Video installation Work URL The URL of the original work, included as an HTML link. <a href="http://www.youtube.com/watch?v=61l7Y4MS4aU">http://www.youtube.com/watch?v=61l7Y4MS4aU</a> Related Website 1 The URL of a related web page such as a YouTube clip or Vimeo, included as an HTML link. <a href="http://www.jeffrey-shaw.net/html_main/frameset-works.php">http://www.jeffrey-shaw.net/html_main/frameset-works.php</a> Artist Statement A statement about the work, as provided by the artist(s). In The Legible City the visitor is able to ride a stationary bicycle through a simulated representation of a city that is constituted by computer-generated three-dimensional letters that form words and sentences along the sides of the streets. Using the ground plans of actual cities - Manhattan, Amsterdam and Karlsruhe - the existing architecture of these cities is completely replaced by textual formations written and compiled by Dirk Groeneveld. Travelling through these cities of words is consequently a journey of reading; choosing the path one takes is a choice of texts as well as their spontaneous juxtapositions and conjunctions of meaning. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.jeffrey-shaw.net/html_main/frameset-works.php">Excerpt from author's website</a> Genre Interactive video installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Shaw_legible Title A name given to the resource Legible City Creator An entity primarily responsible for making the resource Shaw, Jeffrey Groeneveld, Dirk Date A point or period of time associated with an event in the lifecycle of the resource 1988-91 Contributor An entity responsible for making contributions to the resource May, Gideon [Software] Schmitt, Lothar Van Vark, Tat [Hardware] Jungbauer, Charly [Hardware] Nelissen, Huib [Hardware] Language A language of the resource English Description An account of the resource Artist Statement In The Legible City the visitor is able to ride a stationary bicycle through a simulated representation of a city that is constituted by computer-generated three-dimensional letters that form words and sentences along the sides of the streets. Using the ground plans of actual cities - Manhattan, Amsterdam and Karlsruhe - the existing architecture of these cities is completely replaced by textual formations written and compiled by Dirk Groeneveld. Travelling through these cities of words is consequently a journey of reading; choosing the path one takes is a choice of texts as well as their spontaneous juxtapositions and conjunctions of meaning. <a href="http://www.jeffrey-shaw.net/html_main/frameset-works.php">Source of Artist Statement</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Interactive video Jeffrey Shaw MediaArt https://adelta.uws.edu.au/files/original/7302bd880536fd86cc1bb73b854dc424.png 48f4dcd7892938de495330e705f7bda6 https://adelta.uws.edu.au/files/original/8bd95840b0799e9902d7f22859d727cf.png c8599cda8ef87000f46fd150c4fbb1f6 https://adelta.uws.edu.au/files/original/2296d6b0bbc055af55d0c3aecc0e6cad.png 0c963635c828591033ae1a6e47c99fd5 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Work URL The URL of the original work, included as an HTML link. <a href="http://www.jonathanwalkervenice.com/#/let-us-burn-the-gondolas/menu/">http://www.jonathanwalkervenice.com/#/let-us-burn-the-gondolas/menu/</a> Genre Multimedia Image 2 Description / Attribution Information provided from the work's creator(s); either describing the image which represents the work, or attribution of the image which represents the work within ADELTA. Vaporeto Santa Maria de lla Salute Artist Statement A statement about the work, as provided by the artist(s). Venice is usually presented as an anachronism: a ‘timeless’ or even anti-modern city, whose only practical use in the twenty-first century is as a catalogue of picturesque motifs (gondolas, reflected bridges, maskers). Precisely because of its exceptional nature, however, the city offers unique opportunities to rethink or question the idea of modernity. The figures on the grid indicate how long it takes to travel between the locations from which successive photographs were taken, either on foot o (when necessary) by boat. Times are given in seconds, minutes or hours. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Walker_Venice Title A name given to the resource Let Us Burn the Gondola: Venice as a modern city Creator An entity primarily responsible for making the resource Walker, Jonathan Description An account of the resource Artist Statement Venice is usually presented as an anachronism: a ‘timeless’ or even anti-modern city, whose only practical use in the twenty-first century is as a catalogue of picturesque motifs (gondolas, reflected bridges, maskers). Precisely because of its exceptional nature, however, the city offers unique opportunities to rethink or question the idea of modernity. The figures on the grid indicate how long it takes to travel between the locations from which successive photographs were taken, either on foot o (when necessary) by boat. Times are given in seconds, minutes or hours. Subject The topic of the resource Multimedia Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Jonathan Walker Multimedia https://adelta.uws.edu.au/files/original/83737217818f2ca9aedb0b386a4c3483.png 43847431584ac6cf0db6fe31efe62297 https://adelta.uws.edu.au/files/original/3bdd22a7f0be7c53c4131818c59a2e54.png cc0c9c584e4bcb0051582f69f0f3a4e4 https://adelta.uws.edu.au/files/original/4b4f7da18d5a140c48f6352680f763a7.png 112e1a825935f8716a5464eb9ea994ee ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime CD ROM/Live Work URL The URL of the original work, included as an HTML link. <a href="http://www.lifeafterwartime.com">http://www.lifeafterwartime.com</a> Related Website 1 The URL of a related web page such as a YouTube clip or Vimeo, included as an HTML link. <a href="http://www.lifeafterwartime.com/media/pdfs/suite.pdf">http://www.lifeafterwartime.com/media/pdfs/suite.pdf</a> Artist Statement A statement about the work, as provided by the artist(s). Life After Wartime is a suite of multimedia artworks by Kate Richards and Ross Gibson. Based on 3000 archival scene-of-crime images from Sydney and thousands of evocative texts by Gibson, each iteration within the suite uses various design and interaction techniques to engage its audience. The suite comprises: Crime Scene 1999-2000 Justice & Police Museum Sydney and touring; Darkness Loiters 2000 an interactive story engine; Life After Wartime CD-ROM 2003 exhibited nationally and internationally, for sale through the artists, funded by the Australian Film Commission. Life After Wartime live with The Necks Adelaide Fringe Festival 2001 and Sydney Opera House 2003 a live improvised event with world renowned jazz trio The Necks; Street XRays 2005 Gibson's re-photography installation at ACMI. Bystander 2007 a 5 channel interactive and immersive video installation at The Performance Space@CarriageWorks Sydney 2007. <a href="http://katerichards.net/project/life-after-wartime/">Kate Richards' website</a> Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://katerichards.net/art/life-after-wartime/">Description from author's website</a> Genre Multimedia Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Gibson_wartime Title A name given to the resource Life After Wartime Creator An entity primarily responsible for making the resource Richards, Kate Gibson, Ross Date A point or period of time associated with an event in the lifecycle of the resource 1998-ongoing Language A language of the resource English Description An account of the resource Artist Statement Life After Wartime is a suite of multimedia artworks by Kate Richards and Ross Gibson. Based on 3000 archival scene-of-crime images from Sydney and thousands of evocative texts by Gibson, each iteration within the suite uses various design and interaction techniques to engage its audience. The suite comprises: Crime Scene 1999-2000 Justice & Police Museum Sydney and touring; Darkness Loiters 2000 an interactive story engine; Life After Wartime CD-ROM 2003 exhibited nationally and internationally, for sale through the artists, funded by the Australian Film Commission. Life After Wartime live with The Necks Adelaide Fringe Festival 2001 and Sydney Opera House 2003 a live improvised event with world renowned jazz trio The Necks; Street XRays 2005 Gibson's re-photography installation at ACMI. Bystander 2007 a 5 channel interactive and immersive video installation at The Performance Space@CarriageWorks Sydney 2007. <a href="http://katerichards.net/project/life-after-wartime/">Source of Artist Statement</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Kate Richards Multimedia artwork Ross Gibson Suite https://adelta.uws.edu.au/files/original/4f56c1c8890251821bbacc88a5c8e4a6.png 36783052787f71b63bafde921d6e53ce https://adelta.uws.edu.au/files/original/0f018115833874725ba5f2a6d0fa9a71.png 4534150b13c6ff1d3b5336d38bbf6cc9 https://adelta.uws.edu.au/files/original/c0dd3320aad32232ad2741daa2472cba.png 24a5ae7e0061c5261db42f1c7f972cc2 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Installation Work URL The URL of the original work, included as an HTML link. <a href="http://www.lifeafterwartime.com/law.php?section=5">http://www.lifeafterwartime.com/law.php?section=5</a> Artist Statement A statement about the work, as provided by the artist(s). Bystander is an immersive environment composed of photographs, sequences of short text, and musical patterns that all knit together to conjure haunting moods and stories for a large, darkened gallery space. The images, texts and sound files of Bystander are all governed by computer systems to form an environment that responds evermore intelligently, semantically and aesthetically to the behaviour of visitors interacting with the historical material over time. Feedback relationships develop between the visitors and the environment so that the 'eco-system' of Bystander offers emergent patterns of narrative and ever-altering rhythms of dynamic reaction. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.lifeafterwartime.com/law.php?section=5">Statement from artwork's website, lifeafterwartime.com</a> Genre Interactive data narrative Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Gibson_Bystander Title A name given to the resource Life After Wartime: Bystander Creator An entity primarily responsible for making the resource Richards, Kate Gibson, Ross Date A point or period of time associated with an event in the lifecycle of the resource 2007 Language A language of the resource English Description An account of the resource Artist Statement Bystander is an immersive environment composed of photographs, sequences of short text, and musical patterns that all knit together to conjure haunting moods and stories for a large, darkened gallery space. The images, texts and sound files of Bystander are all governed by computer systems to form an environment that responds evermore intelligently, semantically and aesthetically to the behaviour of visitors interacting with the historical material over time. Feedback relationships develop between the visitors and the environment so that the 'eco-system' of Bystander offers emergent patterns of narrative and ever-altering rhythms of dynamic reaction. <a href="http://www.lifeafterwartime.com/law.php?section=5">Source of Artist Statement</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Installation Interactive Kate Richards Ross Gibson https://adelta.uws.edu.au/files/original/6be8483b0cd32408b923f5e22eaa596f.png ed3bf8cc6cb2883391bf2c839ad9acf7 https://adelta.uws.edu.au/files/original/ef361e12648db538ef97ced8bbd1810f.png 12b7d9e90742ef14c141d18c9fcbe143 https://adelta.uws.edu.au/files/original/355cd24c190413de881d27f33a4e7928.png 1e22f5c60e909e304babb95c165632b2 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime HTML Work URL The URL of the original work, included as an HTML link. <a href="http://www.subtle.net/line/index1.html">http://www.subtle.net/line/index1.html</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. Artist's notes Genre Web based interactive multimedia Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Rackham_line Title A name given to the resource Line Creator An entity primarily responsible for making the resource Rackham, Melinda Date A point or period of time associated with an event in the lifecycle of the resource 1999 Description An account of the resource Line is an imaginal and textual narrative simultaneously existing in several media: 1. An internet site tracks an intimate electronic relationship between two net users: one an artist who works online and physically located in Australia, and another a salaryman physically located in Japan who uses the net for corporate pursuits. 2. A gallery installation consisting of a laser beam intersecting a wall mounted book of intimate interwoven photographic architectural images from urban, industrial and rural landscapes in Australia and Japan, functioning as symbols for the emotional and physical ties to local geographical community, a real physicality which parallels their ethereal online communications. Description from Artist's notes. Language A language of the resource English Rights Information about rights held in and over the resource Copyright Melinda Rackham. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Digital poetry Melinda Rackham https://adelta.uws.edu.au/files/original/9ba0e068e3c9b1ec7859b383dc519f8c.png ff00702f53c6cc6f8272d1817c023f76 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.secrettechnology.com/locative/locative.html">http://www.secrettechnology.com/locative/locative.html</a> Artist Statement A statement about the work, as provided by the artist(s). A growing area of cultural and technology theory and practice that centres on how technology recreates/reforms our relationship with the land/builtscape. LNM is not depended on any particular tech, not are new tech innovations needed. Rather it is how the technology is used in the context of human spatial relationships research. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.secrettechnology.com/locative/locative.html">Statement from author's website</a> Genre Web based digital poetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Nelson_locative Title A name given to the resource Locative New Media Creator An entity primarily responsible for making the resource Nelson, Jason Date A point or period of time associated with an event in the lifecycle of the resource ongoing Language A language of the resource English Rights Information about rights held in and over the resource Copyright Jason Nelson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Description An account of the resource Artist Statement A growing area of cultural and technology theory and practice that centres on how technology recreates/reforms our relationship with the land/builtscape. LNM is not depended on any particular tech, not are new tech innovations needed. Rather it is how the technology is used in the context of human spatial relationships research. <a href="http://www.secrettechnology.com/locative/locative.html">Source of Artist Statement</a> Digital poetry Jason Nelson Net art https://adelta.uws.edu.au/files/original/d02c7ba26b7ba62355f08df924c2c5aa.png 105a061c9799f2964dd249c3553a938e https://adelta.uws.edu.au/files/original/86e47ded306950d6dff21823e6cfa7cf.png 7f67755505687d422b7226e8ba37c96d https://adelta.uws.edu.au/files/original/29756283293fbc06fe4b6a2e12232b94.png 632987e1165d3f91b4177a026b81dd87 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Work URL The URL of the original work, included as an HTML link. <a href="http://community.long-time-no-see.org">http://community.long-time-no-see.org</a> Related Website 1 The URL of a related web page such as a YouTube clip or Vimeo, included as an HTML link. <a href="http://embodiedmedia.com/homeartworks/long-time-no-see">http://embodiedmedia.com/homeartworks/long-time-no-see</a> Related Website 2 The URL of a related web page such as a YouTube clip or Vimeo, included as an HTML link. <a href="http://explore.long-time-no-see.org/browser">http://explore.long-time-no-see.org/browser</a> Artist Statement A statement about the work, as provided by the artist(s). Long Time, No See? is a collaborative, online artwork that focuses Australian and global audiences upon our long-term futures. The project seeks to link the local and the everyday with the global and the distant future, generatively mapping the ever-changing relationships between each project participants' ideas and visions. The raw content for the artwork is created by members of the general public undertaking walks in their local communities, assisted by a custom Smartphone App that choreographs and records their creative processes and physical journeys. The online artwork then presents this content relationally along with other generative media and sound. In all of these ways the project engages new audiences and participants to collaboratively 'design' pathways towards feasible and 'sustain-able' long term futures. Participants in locations across Australia and the world will each get the chance to share their visions of long futures and be enabled to collaborate, imagine, reflect, learn and act for change through optional local workshop processes. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://embodiedmedia.com/homeartworks/long-time-no-see">Description from artistr's website</a> Genre Collaborative digital artwork Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime iPhone/iPad App / Web-base Walk App / Field book Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context ARmstrong_long_time Title A name given to the resource Long Time No See Creator An entity primarily responsible for making the resource Armstrong, Keith Carroli, Linda Sade, Gavin Dean, Roger Date A point or period of time associated with an event in the lifecycle of the resource 2012-2015 Contributor An entity responsible for making contributions to the resource Henderson, Robert Nyfantis, Petro Language A language of the resource English Rights Information about rights held in and over the resource Copyright Keith Armstrong, Linda Carroli, Gavin Sade and Roger Dean. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Generative media Locative work Online artwork Participatory project Description An account of the resource Artist Statement Long Time, No See? is a collaborative, online artwork that focuses Australian and global audiences upon our long-term futures. The project seeks to link the local and the everyday with the global and the distant future, generatively mapping the ever-changing relationships between each project participants' ideas and visions. The raw content for the artwork is created by members of the general public undertaking walks in their local communities, assisted by a custom Smartphone App that choreographs and records their creative processes and physical journeys. The online artwork then presents this content relationally along with other generative media and sound. In all of these ways the project engages new audiences and participants to collaboratively 'design' pathways towards feasible and 'sustain-able' long term futures. Participants in locations across Australia and the world will each get the chance to share their visions of long futures and be enabled to collaborate, imagine, reflect, learn and act for change through optional local workshop processes. <a href="http://embodiedmedia.com/homeartworks/long-time-no-see">Source of Artist Statement</a> Gavin Sade Generative media Keith Armstrong Linda Carroli Locative work Online artwork Participatory project Roger Dean https://adelta.uws.edu.au/files/original/ee680807583ae5b66a4f1eee6eb9c879.png 19248860e4b99e2c41ebee49c4c9250a https://adelta.uws.edu.au/files/original/788f70bd8b82ed1b530f0bc78d6a4264.png 83767145462d16b61d7efb2d5e7f2864 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Work URL The URL of the original work, included as an HTML link. <a href="http://dollyoko.thing.net//LOSDIAS/INDEX.HTML">http://dollyoko.thing.net//LOSDIAS/INDEX.HTML</a> Genre Hypertext multimedia Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Rimini_losdias Title A name given to the resource Los dias y Las Noches de Los Muertos (The Days and Nights of the Dead) Creator An entity primarily responsible for making the resource da Rimini, Francesca Language A language of the resource English Subject The topic of the resource Hypertext multimedia Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Francesca da Rimini