5 25 263 https://adelta.uws.edu.au/files/original/9d408ebf3f89f5f2a7e99dd1d6885fd0.png 53aadb40321d847caafe8da7044b1c95 https://adelta.uws.edu.au/files/original/db57dd4ef5f16ea67eab1bcbcfc0959a.jpg d05c198b2a5960aa9cf93d8725813d01 https://adelta.uws.edu.au/files/original/c2fcf247595cd3ddf880337803c65075.png 7803454323bc079231dd821fafc77509 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Python HTML/XML Genre Multimedia installation/Live code Work URL The URL of the original work, included as an HTML link. <a href="http://www.sister0.org/?I-am-Googalable/">http://www.sister0.org/?I-am-Googalable/</a> Artist Statement A statement about the work, as provided by the artist(s). On a coding craft level "I am googable therefore I am" is coded to be a live aggregated feed, made with Beautiful Soup - a coding language mix of Python HTML/XML. This is programmed to hit the artists name each day to give a read out of amount of the google hits the name brings, in order to tell her she exists. Although available as live data feed - http://moddr.net/~sister0/cast/ The 'actual' artwork is not complete until fully installed. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.sister0.org/?I-am-Googalable/">Description from author's website</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MauroFlaude_googable Title A name given to the resource I am Googable Therefore I am Creator An entity primarily responsible for making the resource Mauro-Flude, Nancy Date A point or period of time associated with an event in the lifecycle of the resource 2009 Language A language of the resource English Subject The topic of the resource Multimedia installation Description An account of the resource Artist Statement On a coding craft level "I am googable therefore I am" is coded to be a live aggregated feed, made with Beautiful Soup - a coding language mix of Python HTML/XML. This is programmed to hit the artists name each day to give a read out of amount of the google hits the name brings, in order to tell her she exists. Although available as live data feed - http://moddr.net/~sister0/cast/ The 'actual' artwork is not complete until fully installed. <a href="http://www.sister0.org/?I-am-Googalable/">Source of Artist Statement</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Multimedia installation Nancy Mauro-Flude https://adelta.uws.edu.au/files/original/47812a3f197d6685842ac87315b8763a.png 76f71fb2f976ba3ae2d374674d4ae22b https://adelta.uws.edu.au/files/original/7daa2b28adb752a248d2d3cf0409bb3b.png 75917f1b70349760908a3c332dd5433c ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Work URL The URL of the original work, included as an HTML link. <a href="http://sistero.sysx.org/mythengine/takemethere/index.html">http://sistero.sysx.org/mythengine/takemethere/index.html</a> Artist Statement A statement about the work, as provided by the artist(s). A live video feed from the room where I often sleep captures the canal outside the window, a well-traversed trade route into Amsterdam. A live web cam sequences at 6 sec time intervals and transmits this via the Internet, which opens up as a portal, a projection site in Hobart. A counter at the right bottom marks the date and time. On the left, each morning at dawn GMT+1. I add a personal aphorism. I ask the viewer to consider the detail in a scene that might otherwise be consumed in a momentary glance the light, the mood of the water, the position of the birds, the trash. The 6 sec. incremental changes are perceptible, revealed through changes of the reloading frame. Somewhere in between the image peel a cargo boat on the canal vanishes. The next frame we may only see its wake. At times, the canal is completely still. A dark body of water. Or hours there is nothing happening and suddenly two birds are caught in mid flight. Because the work is Live it calls into question where the 'object' actually is - is it located at the server, on site in Hobart? Or in-between, the interstices of the world? In a sense, the work is un-locatable its point of origin is continually shifting. If you can tell me where it is, I would say it is dead. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://sistero.sysx.org/mythengine/takemethere/index.html">Description from author's website</a> Genre Live webcast projection with performative text Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MauroFlaude_takeMe Title A name given to the resource Take Me There: Bring Me Back Creator An entity primarily responsible for making the resource Mauro-Flude, Nancy Date A point or period of time associated with an event in the lifecycle of the resource 2006 Language A language of the resource English Subject The topic of the resource Digital media Ephemeral Projection with embedded text Webcam transmisson Webcast performance Description An account of the resource Artist Statement A live video feed from the room where I often sleep captures the canal outside the window, a well-traversed trade route into Amsterdam. A live web cam sequences at 6 sec time intervals and transmits this via the Internet, which opens up as a portal, a projection site in Hobart. A counter at the right bottom marks the date and time. On the left, each morning at dawn GMT+1. I add a personal aphorism. I ask the viewer to consider the detail in a scene that might otherwise be consumed in a momentary glance the light, the mood of the water, the position of the birds, the trash. The 6 sec. incremental changes are perceptible, revealed through changes of the reloading frame. Somewhere in between the image peel a cargo boat on the canal vanishes. The next frame we may only see its wake. At times, the canal is completely still. A dark body of water. Or hours there is nothing happening and suddenly two birds are caught in mid flight. Because the work is Live it calls into question where the 'object' actually is - is it located at the server, on site in Hobart? Or in-between, the interstices of the world? In a sense, the work is un-locatable its point of origin is continually shifting. If you can tell me where it is, I would say it is dead. <a href="http://sistero.sysx.org/mythengine/takemethere/index.html">Source of Artist Statement</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Digital media Ephemeral Nancy Mauro-Flude Projection with embedded text Webcam transmisson Webcast performance https://adelta.uws.edu.au/files/original/29366064d389581d143729f70b6ca441.png f48f7ef2aadf079e61483447980f8897 https://adelta.uws.edu.au/files/original/2d315e3680d7fdc179a392c3a9ab5adc.png d4dc1739ea98aa0595a60ec63f244f5b https://adelta.uws.edu.au/files/original/a535560c231f2a1eecad85ece336eacb.png 29d4153412dd310f4ea366d611a77f22 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Work URL The URL of the original work, included as an HTML link. <a href="http://www.bumpp.net/">http://www.bumpp.net/</a> Artist Statement A statement about the work, as provided by the artist(s). Pirating sensor data from the Roller Derby players to use as framework to trigger text feeds - past, present & realtime from skaters, audience and artists. Expanding the action on the track, the screen displays a data-mash: live tweets & text feeds, mapped with the cyclic rolling energy of the skaters, building vibrancy. A montage of conversation, description, conjecture & moments pirated from history and literature. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.bumpp.net/art-bump.htm">Description from Bump Projects, an initiative for collaborative art projects</a> Genre Projection/Live tweets and text feed Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Twitter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MauroFlaude_readRun Title A name given to the resource READ_RUN_EXECUTE_ : Pirating the archaic energy Creator An entity primarily responsible for making the resource Mauro-Flude, Nancy Date A point or period of time associated with an event in the lifecycle of the resource 2010 Contributor An entity responsible for making contributions to the resource Neugebauer, Chris Language A language of the resource English Subject The topic of the resource Multimedia installation Description An account of the resource Artist Statement Pirating sensor data from the Roller Derby players to use as framework to trigger text feeds - past, present & realtime from skaters, audience and artists. Expanding the action on the track, the screen displays a data-mash: live tweets & text feeds, mapped with the cyclic rolling energy of the skaters, building vibrancy. A montage of conversation, description, conjecture & moments pirated from history and literature. <a href="http://www.bumpp.net/art-bump.htm">Description from Bump Projects, an initiative for collaborative art projects</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Multimedia installation Nancy Mauro-Flude https://adelta.uws.edu.au/files/original/70a736112cf72519abe91cddd9aaa28e.png ca93ca04356665c70acbb145d399962c https://adelta.uws.edu.au/files/original/3cd3fedaaf466ba9bffda911bc07d004.png 4e0d9a50174eb98096c2ca1132e50520 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Work URL The URL of the original work, included as an HTML link. <a href="http://sister0.org/?All-Of-Us-girls/">http://sister0.org/?All-Of-Us-girls/</a> Genre Performance/Projection Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MauroFlaude_usGirls Title A name given to the resource All Of Us (girls) Have Been Dead For So Long... Creator An entity primarily responsible for making the resource Mauro-Flude, Nancy Date A point or period of time associated with an event in the lifecycle of the resource 2005 Language A language of the resource English Subject The topic of the resource Digital theatre performance Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Digital theatre performance Nancy Mauro-Flude https://adelta.uws.edu.au/files/original/79b8656d79914249908843d61f71a932.png 0f28b7d64142b0de993efd8ea9dbecf4 https://adelta.uws.edu.au/files/original/9d8ac6121ed4da02038720b5957ece6f.png 68090ad1d6590327ea4f0f12958d3b20 https://adelta.uws.edu.au/files/original/9cdb1e346a1e70c6a25505d451551017.png 12788d599c41a9dc96d1b8890bef65ab ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime QuickTime Work URL The URL of the original work, included as an HTML link. <a href="http://vogmae.net.au/%20http://vogmae.net.au/vlog/">http://vogmae.net.au/ http://vogmae.net.au/vlog/</a> Artist Statement A statement about the work, as provided by the artist(s). This videoblog has existed in various locations since 2000 and is being consolidated here. The work is made by Adrian Miles and is experimental, which means it might not work for you. I have written extensively about video blogging and what I have called 'softvideo' and this site is a blog come portfolio of my softvideo practice. I have used several CMS's, including Movable Type and WordPress, and after experimenting with a new template (style) in WordPress decided it was just making everything too complicated. So I've returned to storing all the content in Tinderbox with good old fashioned export of static html and then just synchronising it via FTP to my host. Is this still a blog? I'm not sure. I am not offering comments, but I think comments get in the way of blogging. However, via this method I can't support trackback but if I pay attention to referrer information via something like Google Analytics then you can usually see who links here. However, this is only going to be video and I have an active blog (vlog 4.0) where I do my writing and more usual blogging. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://vogmae.net.au/vog/about.html">Description from artwork's website</a> Genre Web based audio visual sketch Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Miles_Vog Title A name given to the resource Vog a (BETA) videoblog: Compendium of works Creator An entity primarily responsible for making the resource Miles, Adrian Date A point or period of time associated with an event in the lifecycle of the resource 2000-ongoing Language A language of the resource English Rights Information about rights held in and over the resource Copyright Adrian Miles. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Audio visual sketch Beta videoblog Vog Description An account of the resource Artist Statement This videoblog has existed in various locations since 2000 and is being consolidated here. The work is made by Adrian Miles and is experimental, which means it might not work for you. I have written extensively about video blogging and what I have called 'softvideo' and this site is a blog come portfolio of my softvideo practice. I have used several CMS's, including Movable Type and WordPress, and after experimenting with a new template (style) in WordPress decided it was just making everything too complicated. So I've returned to storing all the content in Tinderbox with good old fashioned export of static html and then just synchronising it via FTP to my host. Is this still a blog? I'm not sure. I am not offering comments, but I think comments get in the way of blogging. However, via this method I can't support trackback but if I pay attention to referrer information via something like Google Analytics then you can usually see who links here. However, this is only going to be video and I have an active blog (vlog 4.0) where I do my writing and more usual blogging. <a href="http://vogmae.net.au/vog/about.html">Source of Artist Statement</a> Adrian Miles Audio visual sketch Beta videoblog Vog https://adelta.uws.edu.au/files/original/7fd4c635fa0e5cfb1582038b42217f42.png 07a5a3a529267a0b4ea58cb693e808eb https://adelta.uws.edu.au/files/original/bc0bd1a63dc34e6a49bd2474f7bca940.png eb0de005f6898d37bdf151d0dfbdbb28 https://adelta.uws.edu.au/files/original/b64972c0f57930d7369297641a3abc13.png e5cc8d3a991e6bad5d2379768ce17f40 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime QuickTime Work URL The URL of the original work, included as an HTML link. <a href="http://vogmae.net.au/vog/archive/2000/WednesdayBergen.html">http://vogmae.net.au/vog/archive/2000/WednesdayBergen.html</a> Artist Statement A statement about the work, as provided by the artist(s). This is the video that was used in the vogma manifesto post. This was the manifesto I wrote outlining what I thought videoblogging should be. I still subscribe to these ideas. The video was shoot on the bus from Oslo airport into the city, I played with the sound by taking a shorter duration of sound from the QuickTime clip and then stretching it in QuickTime Pro to match the image track. The film uses a QuickTime text track but it now renders the text very oddly so I have embedded this at twice its size, which actually looks better. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://vogmae.net.au">Description from author's website</a> Genre Web based audio visual sketch Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Miles_VogManifiesto Title A name given to the resource Vog a (BETA) videoblog: Wednesday Bergen Creator An entity primarily responsible for making the resource Miles, Adrian Date A point or period of time associated with an event in the lifecycle of the resource 2000 Language A language of the resource English Rights Information about rights held in and over the resource Copyright Adrian Miles. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Audio visual sketch Beta videoblog Digital video poetics Vog Description An account of the resource Artist Statement This is the video that was used in the vogma manifesto post. This was the manifesto I wrote outlining what I thought videoblogging should be. I still subscribe to these ideas. The video was shoot on the bus from Oslo airport into the city, I played with the sound by taking a shorter duration of sound from the QuickTime clip and then stretching it in QuickTime Pro to match the image track. The film uses a QuickTime text track but it now renders the text very oddly so I have embedded this at twice its size, which actually looks better. <a href="http://vogmae.net.au">Source of Artist Statement</a> Adrian Miles Audio visual sketch Beta videoblog Digital video poetics Vog ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime YouTube Work URL The URL of the original work, included as an HTML link. <a href="https://www.youtube.com/watch?v=LqKRLiVJsEQ">https://www.youtube.com/watch?v=LqKRLiVJsEQ</a> Genre Web based video animation/Critical work Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Murphie_contagious Title A name given to the resource Contagious Comportment Creator An entity primarily responsible for making the resource Murphie, Andrew Date A point or period of time associated with an event in the lifecycle of the resource 2009 Contributor An entity responsible for making contributions to the resource Wall-Smith, Mat Munster, Anna Fuller,Gillian Bertelsen, Lone Language A language of the resource English Subject The topic of the resource Animation Critical work Generative thought machine Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Andrew Murphie Animation Critical work Generative thought machine ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Critical Work Ghosted Publics- The "unacknowledged Collective" in the contemporary transformation of the circulation of ideas Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime YouTube Work URL The URL of the original work, included as an HTML link. <a href="https://youtu.be/qlgCjoLlX_A">https://youtu.be/qlgCjoLlX_A</a> Related Website 1 The URL of a related web page such as a YouTube clip or Vimeo, included as an HTML link. <a href="https://www.academia.edu/1993499/Ghosted_Publics_-_the_unacknowledged_collective_in_the_contemporary_transformation_of_the_circulation_of_ideas">https://www.academia.edu/1993499/Ghosted_Publics_-_the_unacknowledged_collective_in_the_contemporary_transformation_of_the_circulation_of_ideas </a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://www.kultura.ejgv.euskadi.net/r46-19123/en/contenidos/informacion/brev3_0903/en_brev3/brev3.html">Excerpt from The Mag.net reader</a> Genre Online publication/Web based video animation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Murphie_ghosted Title A name given to the resource Ghosted Publics- The "unacknowledged Collective" in the contemporary transformation of the circulation of ideas Creator An entity primarily responsible for making the resource Murphie, Andrew Date A point or period of time associated with an event in the lifecycle of the resource 2009 Description An account of the resource In this article "Ghosted Publics- the unacknowledged collective in the contemporary transformation of the circulation of ideas" Andrew Murphie presents his 23 theses as a base for a panoptic speculation on the nature of editorial industry and its new models, stemming in particular from a critique of academic models and its archaic paradigms. <a href="http://www.kultura.ejgv.euskadi.net/r46-19123/en/contenidos/informacion/brev3_0903/en_brev3/brev3.html">Excerpt from The Mag.net reader</a> Publisher An entity responsible for making the resource available Open Mute Language A language of the resource English Subject The topic of the resource Animation Critical work Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Andrew Murphie Animation Critical work https://adelta.uws.edu.au/files/original/f9d1acafb01d7c8892da4f9abb1cbbf5.png 1c2b6e717b03824ca1a5944e6cdd5884 https://adelta.uws.edu.au/files/original/a0b16264fd3bff2e4273d492e84b2ef4.png 3dba10197d031049bc776bd31ba9c41e https://adelta.uws.edu.au/files/original/e88e6aa7ca5bd17394e9db7b7f2babb4.png e2a4514ef5d982bffa6f77739e36c265 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Exhibition/YouTube Work URL The URL of the original work, included as an HTML link. <a href="https://www.youtube.com/watch?v=fQLrhOwTfKo&feature=youtu.be">https://www.youtube.com/watch?v=fQLrhOwTfKo&feature=youtu.be</a> Related Website 1 The URL of a related web page such as a YouTube clip or Vimeo, included as an HTML link. <a href="https://youtu.be/fQLrhOwTfKo">https://youtu.be/fQLrhOwTfKo</a> Artist Statement A statement about the work, as provided by the artist(s). ACT - assemblage for collective thought - is an ongoing conceptual and aesthetic collaboration, an assemblage of technologies and techniques for collaboration. It enables participants to think collectively. By 'think' here we do include thinking conceptually. However, following a century that has had to come to terms with thinking through aesthetic processes, we also mean thinking affectively, via images, texts and sounds. More than this, ACT asks what kind of thought is produced in the mix in the middle of the very act of collaboration, when DJing, VJing, dancing in front of a camera perhaps, are all opened up to the mix. Is there a different quality of thought? A different experience of thinking? An especially collaborative thought? <a href="http://www.andrewmurphie.org/docs/ACT_Aminima.pdf">Excerpt from the article Assembling Collective Thought</a> Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.andrewmurphie.org/docs/ACT_Aminima.pdf">Excerpt from the article Assembling Collective Thought</a> Technology used/Platform Wikis/Audio/Video/Editing and remixing packages Format Text/Video/Other Genre Performed distributed work Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Murphie_collectiveThought Title A name given to the resource Assemblage for Collective Thought [ACT] Creator An entity primarily responsible for making the resource Murphie, Andrew Munster, Anna Date A point or period of time associated with an event in the lifecycle of the resource 2006 Contributor An entity responsible for making contributions to the resource Barker, Michele Harley, Ross Fuller, Gillian Neilson, Brett Wall-Smith, Mat Richards, Kate Fuller, Mathew Gye, Lisa Scholz, Trebor Antic, Dragana Language A language of the resource English Rights Information about rights held in and over the resource Copyright Andrew Murphy and Anna Munster. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Collaborative performance Real-time audio-visual mix Description An account of the resource Artist Statement ACT - assemblage for collective thought - is an ongoing conceptual and aesthetic collaboration, an assemblage of technologies and techniques for collaboration. It enables participants to think collectively. By 'think' here we do include thinking conceptually. However, following a century that has had to come to terms with thinking through aesthetic processes, we also mean thinking affectively, via images, texts and sounds. More than this, ACT asks what kind of thought is produced in the mix in the middle of the very act of collaboration, when DJing, VJing, dancing in front of a camera perhaps, are all opened up to the mix. Is there a different quality of thought? A different experience of thinking? An especially collaborative thought? <a href="http://www.andrewmurphie.org/docs/ACT_Aminima.pdf">Excerpt from the article: Assembling Collective Thought</a> Andrew Murphie Anna Munster Collaborative performance Real-time audio-visual mix https://adelta.uws.edu.au/files/original/920cf45f97f452102620d561a3fe4ca4.png 66a9ea11537cf0a485a761c851581967 https://adelta.uws.edu.au/files/original/253eb50b574e21490102661c893c08dd.png f77eccea1facce0c1dfbc5ad6fed1ab1 https://adelta.uws.edu.au/files/original/cbc50798d1ae70ee4c63f397827fd037.png 3420051cb0e8ac85bfafdec8582b3c68 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Media Multimedia online publication Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime YouTube/ PDF Genre Collaborative Composition Work URL The URL of the original work, included as an HTML link. <a href="http://www.inflexions.org/tangents/sydney/generativethought.html">http://www.inflexions.org/tangents/sydney/generativethought.html</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Murphie_inflexions Title A name given to the resource INFLeXions: Generative Thought Machine Creator An entity primarily responsible for making the resource Murphie, Andrew Wall-Smith, Mat Munster, Anna Fuller, Gillian Bertelsen,Lone Date A point or period of time associated with an event in the lifecycle of the resource 2009 Language A language of the resource English Rights Information about rights held in and over the resource Creative Commons . The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Animation Critical work Generative thought machine Andrew Murphie Animation Anna Munster Critical work Generative thought machine Gillian Fuller Lone Bertelsen Mat Wall-Smith https://adelta.uws.edu.au/files/original/311b17bfffe14d5fdf9a356c9dbf2933.png f742a961cb60794679f36de9378fa410 https://adelta.uws.edu.au/files/original/400d901e94db9ad22d80c4ee5e469491.png d02479ee2239d61bcbe7002c162cf5cc ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime QuickTime Genre Web based digital poetry Work URL The URL of the original work, included as an HTML link. <a href="http://yamanakanash.net/fseots/">http://yamanakanash.net/fseots/</a> Artist Statement A statement about the work, as provided by the artist(s). This is a simple work. It is a cycle of poems, randomly interlinked. It is not radical in its use of technology - the randomising perl script is the most natural way to navigate the cycle of poems because, while all the poems were written in the year 2003 during a period of intense personal circumstances as well as intense public international upheavals, the poems bear no linear relationship to each other and therefore can be read in any order. The technology is used in the service of artistic expression, which is a sensible role for technology. In this case, the artistic expression is simply a cycle of poems, so there is little to recommend it. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://yamanakanash.net/fseots/">Description in author's website</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Nash_southEast Title A name given to the resource The Far South East of the Soul Creator An entity primarily responsible for making the resource Nash, Adam Date A point or period of time associated with an event in the lifecycle of the resource 2003 Language A language of the resource English Rights Information about rights held in and over the resource Copyright Adam Nash. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Randomly hyperlinked poem cycle Description An account of the resource Artist Statement This is a simple work. It is a cycle of poems, randomly interlinked. It is not radical in its use of technology - the randomising perl script is the most natural way to navigate the cycle of poems because, while all the poems were written in the year 2003 during a period of intense personal circumstances as well as intense public international upheavals, the poems bear no linear relationship to each other and therefore can be read in any order. The technology is used in the service of artistic expression, which is a sensible role for technology. In this case, the artistic expression is simply a cycle of poems, so there is little to recommend it. <a href="http://yamanakanash.net/fseots/">Source of Artist Statement</a> Adam Nash Randomly hyperlinked poem cycle https://adelta.uws.edu.au/files/original/87a8d2b1d1d20634775ef984b1114a3a.png 8c53f090e936fdfe2e4260de7d8c39be https://adelta.uws.edu.au/files/original/3f819976fefecb20f2f773b99cb2845a.png d62a9017e297bbfeaf57ab424e39c6a7 https://adelta.uws.edu.au/files/original/69a28a895523d2016be3bbb8749cd3a5.png 8f2be4ab4606a75809664c64d1f68487 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Second Life Genre Web based 3D environment Work URL The URL of the original work, included as an HTML link. <a href="http://www.babelswarm.com/images.html">http://www.babelswarm.com/images.html</a> Artist Statement A statement about the work, as provided by the artist(s). Activated by the voices of visitors in the real-world gallery and chat messaging from virtual visitors in Second Life, a swarm of letter cubes - programmed to seek out their original word position - slowly builds a morphing, virtual Tower of Babel. This tower is constructed from the utterances of visitors to it, constantly reconfiguring itself according to the artificial stupidity of the individual letter forms. What sorts of conceptual figures are available to think such a thing? The very old: the Tower of Babel from the Book of Genesis, which melds the frightening possibilities of technology, language, and power in a single startling image. And the very new: swarm intelligence as an ideal that expresses how innumerable different individuals can nonetheless come to produce radical innovations in excess of the powers of any one of them and in the midst of apparent disorder. Babelswarm is a project that draws on the most traditional elements of religion, art, and literature, as it engages with the challenges of a scientific and technological age. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.babelswarm.com/about.html">Description in author's website</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Nash_Babelswarm Title A name given to the resource Babelswarm Creator An entity primarily responsible for making the resource Nash, Adam Clemens, Justin Dodds, Christopher Date A point or period of time associated with an event in the lifecycle of the resource 2008 Contributor An entity responsible for making contributions to the resource Dodds, Christopher Language A language of the resource English Rights Information about rights held in and over the resource Copyright Adam Nash, Justin Clemens and Christopher Dodds . The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Real time 3D art and audio project Description An account of the resource Artist Statement Activated by the voices of visitors in the real-world gallery and chat messaging from virtual visitors in Second Life, a swarm of letter cubes - programmed to seek out their original word position - slowly builds a morphing, virtual Tower of Babel. This tower is constructed from the utterances of visitors to it, constantly reconfiguring itself according to the artificial stupidity of the individual letter forms. What sorts of conceptual figures are available to think such a thing? The very old: the Tower of Babel from the Book of Genesis, which melds the frightening possibilities of technology, language, and power in a single startling image. And the very new: swarm intelligence as an ideal that expresses how innumerable different individuals can nonetheless come to produce radical innovations in excess of the powers of any one of them and in the midst of apparent disorder. Babelswarm is a project that draws on the most traditional elements of religion, art, and literature, as it engages with the challenges of a scientific and technological age. <a href="http://www.babelswarm.com/about.html">Source of Artist Statement</a> Adam Nash Christopher Dodds Justin Clemens Real time 3D art and audio project https://adelta.uws.edu.au/files/original/b4190621d6b8b661094796a3036b93be.png 4f2e4be3cb85abd72a3e6128eca1ad7c https://adelta.uws.edu.au/files/original/4a774e4de695a7c4ec5555eab3fa91ea.png 732b58a58cc7397553cd528ae3d2bc6b https://adelta.uws.edu.au/files/original/c11f4726ce6c940a00fa2686022290b9.png 319e467699e19b1423834377e88a8f00 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.secrettechnology.com/sydney/">http://www.secrettechnology.com/sydney/</a> Artist Statement A statement about the work, as provided by the artist(s). Sydney's Siberia recreates how networks build exploratory story-scapes through an interactive zooming/clicking interface. Using 121 poetic/story image tiles, the artwork dynamically generates mosaics, infinitely recombining to build new connections/collections based on the users movements. The images/texts come from exploring Newcastle, Australia as a patchwork, a complex mix of architectural tendrils, whose stories extend to and are strained by the overshadowing behemoth of Sydney to the West. And as each new grid is formed, the reader must search for what they haven't seen, mining in a digital Siberia. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://heliozoa.com/?p=14#more-14">Description from author's website</a> Genre Web based digital poetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Nelson_Siberia Title A name given to the resource Sydney's Siberia Creator An entity primarily responsible for making the resource Nelson, Jason Date A point or period of time associated with an event in the lifecycle of the resource 2010 Language A language of the resource English Rights Information about rights held in and over the resource Copyright Jason Nelson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Digital poetry Net art Description An account of the resource Artist Statement Sydney's Siberia recreates how networks build exploratory story-scapes through an interactive zooming/clicking interface. Using 121 poetic/story image tiles, the artwork dynamically generates mosaics, infinitely recombining to build new connections/collections based on the users movements. The images/texts come from exploring Newcastle, Australia as a patchwork, a complex mix of architectural tendrils, whose stories extend to and are strained by the overshadowing behemoth of Sydney to the West. And as each new grid is formed, the reader must search for what they haven't seen, mining in a digital Siberia. <a href="http://heliozoa.com/?p=14#more-14">Source of Artist Statement</a> Digital poetry Jason Nelson Net art https://adelta.uws.edu.au/files/original/2de46dd79992554edb412e95b079a5cc.png 9a438f78b2e1ce4f39bdda597b1a88a6 https://adelta.uws.edu.au/files/original/d56b5905b1a608408979a441411a6d09.png 47f69b7b076e53ec8fcad21c3e87f788 https://adelta.uws.edu.au/files/original/6e44f08dbd75783b5f441515138fe600.png 7c2a0a56dc24feee39821a4f91b10d9f ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.secrettechnology.com/flanet/">http://www.secrettechnology.com/flanet/</a> Artist Statement A statement about the work, as provided by the artist(s). A interactive logoed world populated with 45 strange and fantastical stories of the societal/cultural failure of influential net portals, fast food giants, newspapers, airlines, manufacturers and other oddities. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.secrettechnology.com/flanet/">Description from author's website</a> Genre Web based digital poetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Nelson_failedPlanet Title A name given to the resource With love from a failed planet Creator An entity primarily responsible for making the resource Nelson, Jason Language A language of the resource English Rights Information about rights held in and over the resource Copyright Jason Nelson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Digital poetry Net art Description An account of the resource Artist Statement A interactive logoed world populated with 45 strange and fantastical stories of the societal/cultural failure of influential net portals, fast food giants, newspapers, airlines, manufacturers and other oddities. <a href="http://www.secrettechnology.com/flanet/">Source of Artist Statement</a> Digital poetry Jason Nelson Net art https://adelta.uws.edu.au/files/original/1628a407beade927593f5ebcab6eca52.png 65f1c03c3b7b03c0773299ceb9fbd5af https://adelta.uws.edu.au/files/original/199f47ffb77143277687c131fcf6cd4c.png 92baf19a262a22fda4c95cd3864b0e41 https://adelta.uws.edu.au/files/original/3dd3d58a0c40e0d1b4aa4664674d4f80.png 047de22d8a4a8aa6eaafb6c95c86c2b7 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.secrettechnology.com/graphoem/graphoem.html">http://www.secrettechnology.com/graphoem/graphoem.html</a> Artist Statement A statement about the work, as provided by the artist(s). A strange hybrid work where writing is built directly from the videos and statistical graphs. These are imaginary worlds/possibilities, with the background pop culture videos evidence and inspiration. After mousing over the data points/dots the statistics and lines pop-up. Perhaps the most difficult aspect of creation was determining the percentages and numbers which drive the stories/poetry, and how do those statistics coax the narrative/poetry along into semi-coherent streams. And being a child of the late 70s and 80s I am fascinated by the glory days of absurd pop culture, the notion that a near storyless video game pixeled mouth can eventually have its own branded can of pasta. And then there is the Frankenstein clip. Just damn beautiful, even more so that its now a hundred years old. Maybe I should continue exploring other types of graph/statistical interfaces and methods for displaying/generating poetic/fictional texts. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://heliozoa.com/?p=63#more-63">Description from author's website</a> Genre Web based digital poetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Nelson_videoGraph Title A name given to the resource VideoGraph Fictions Creator An entity primarily responsible for making the resource Nelson, Jason Language A language of the resource English Rights Information about rights held in and over the resource Copyright Jason Nelson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Digital poetry Movement Net art Video Description An account of the resource Artist Statement A strange hybrid work where writing is built directly from the videos and statistical graphs. These are imaginary worlds/possibilities, with the background pop culture videos evidence and inspiration. After mousing over the data points/dots the statistics and lines pop-up. Perhaps the most difficult aspect of creation was determining the percentages and numbers which drive the stories/poetry, and how do those statistics coax the narrative/poetry along into semi-coherent streams. And being a child of the late 70s and 80s I am fascinated by the glory days of absurd pop culture, the notion that a near storyless video game pixeled mouth can eventually have its own branded can of pasta. And then there is the Frankenstein clip. Just damn beautiful, even more so that its now a hundred years old. <a href="http://heliozoa.com/?p=63#more-63">Source of Artist Statement</a> Digital poetry Jason Nelson Movement Net art Video https://adelta.uws.edu.au/files/original/6a840afdef6c21970a48cb7506543b0c.png 3f5fed8de463ddecef6d783a6c6ad471 https://adelta.uws.edu.au/files/original/8fc757ababeddbb8752b5b2bd8bdda2a.png 74f0a2cfc216b947cb10959e1f593fde https://adelta.uws.edu.au/files/original/602e7b6851ea88414bb6a9576b38ff3b.png 5412b4a034b50c1dcf3c2a622e152437 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.secrettechnology.com/">http://www.secrettechnology.com/</a> Artist Statement A statement about the work, as provided by the artist(s). Evidence of Everything Exploding is a game driven digital poem exploring various historical and contemporary texts. Each level's poetic content is built from the document's sub-sub texts and curious consequences. With Bill Gates' letter to the Computer Brew Club about monetizing hobby computing, we find the seeds of an empire, James Joyce is caught in an infinite loop of changing texts, Fidel Castro's boyhood letter to the US president praising America and asking for money signals an opportunistic future. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://heliozoa.com/?p=14#more-14">Description from author's website</a> Genre Web based digital poetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Nelson_evidence Title A name given to the resource Evidence of Everything Exploding Creator An entity primarily responsible for making the resource Nelson, Jason Date A point or period of time associated with an event in the lifecycle of the resource 2010 Language A language of the resource English Rights Information about rights held in and over the resource Copyright Jason Nelson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Digital poetry Game Net art Description An account of the resource Artist Statement Evidence of Everything Exploding is a game driven digital poem exploring various historical and contemporary texts. Each level's poetic content is built from the document's sub-sub texts and curious consequences. With Bill Gates' letter to the Computer Brew Club about monetizing hobby computing, we find the seeds of an empire, James Joyce is caught in an infinite loop of changing texts, Fidel Castro's boyhood letter to the US president praising America and asking for money signals an opportunistic future. <a href="http://heliozoa.com/?p=14#more-14">Source of Artist Statement</a> Digital poetry Game Jason Nelson Net art https://adelta.uws.edu.au/files/original/1851c4b85c33794a7761842d3c28a4b2.png d6219b527cec0b44118ebc802efbc950 https://adelta.uws.edu.au/files/original/2007210f7ac98bed5d1cc44305c31833.png a8ea72ad881f90b9fc35f06081539e35 https://adelta.uws.edu.au/files/original/797ef729dfcc35780e569c790429ac03.png a32bb472ec4c5f36e18dea4d8920c05c ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.secrettechnology.com/wittenoom/starthere.html">http://www.secrettechnology.com/wittenoom/starthere.html</a> Artist Statement A statement about the work, as provided by the artist(s). Digital poetry should surround the reader, to encompass them in the experience, to entice their hands and eyes to move with the language and explore the interface. It's critical for digital writers to see the interface, visuals, sounds, and movements as poetic/fiction elements. Multimedia and interface components are not just navigational holiday lights to pretty up the place, they add/change/expand the artwork. Within this work, I designed a responsive creatures as both fun to play and allow the reader to jump between texts, to read in their own ordering, to non-linearly explore the inherently non-linear nature of poetry. Layering is also of prime importance, as creating a sense of thematic and visual depth, embeds the poetry in a larger world, a more complex poetic. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://heliozoa.com/?p=21#more-21">Description from author's website</a> Genre Web based digital poetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Nelson_Wittenoom Title A name given to the resource Wittenoom: speculative shell and the cancerous breeze Creator An entity primarily responsible for making the resource Nelson, Jason Date A point or period of time associated with an event in the lifecycle of the resource 2009 Language A language of the resource English Rights Information about rights held in and over the resource Copyright Jason Nelson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Digital poetry Net art Description An account of the resource Artist Statement Digital poetry should surround the reader, to encompass them in the experience, to entice their hands and eyes to move with the language and explore the interface. It's critical for digital writers to see the interface, visuals, sounds, and movements as poetic/fiction elements. Multimedia and interface components are not just navigational holiday lights to pretty up the place, they add/change/expand the artwork. Within this work, I designed a responsive creatures as both fun to play and allow the reader to jump between texts, to read in their own ordering, to non-linearly explore the inherently non-linear nature of poetry. Layering is also of prime importance, as creating a sense of thematic and visual depth, embeds the poetry in a larger world, a more complex poetic. <a href="http://heliozoa.com/?p=21#more-21">Source of Artist Statement</a> Digital poetry Jason Nelson Net art https://adelta.uws.edu.au/files/original/6c0759b291717c17237fbd4a594ce548.png 11c4e2a9b505e044fcff856a649e34ed https://adelta.uws.edu.au/files/original/c665c1a29e0e29ca00f81bf7c4eed8c9.png b9f1974fcada3985d3750c41fdc2b884 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.secrettechnology.com/tree/">http://www.secrettechnology.com/tree/</a> Artist Statement A statement about the work, as provided by the artist(s). Multi-level menus as poetry generator, for when lines branch and branch. When writing a poem, often any line could generate out new directions, intersecting poems, branching possibilities. Using the modified code of a menu-sub-menu, I am experimenting with a poem within a poem within a poem. Enjambment as menu as poetic turn. A few factors I'm playing with: 1. the menu fade away timing (more or less?) 2. the mixing of various level depths 3. only one first entry, that extends to dozens of depths? 4. how else might this be used? 5. Rollover or On Press to trigger? Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://heliozoa.com/?p=69#more-69">Description from author's website</a> Genre Web based digital poetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Nelson_tree Title A name given to the resource A Tree with Managers and Jittery Boats Creator An entity primarily responsible for making the resource Nelson, Jason Language A language of the resource English Rights Information about rights held in and over the resource Copyright Jason Nelson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Digital poetry Net art Description An account of the resource Artist Statement Multi-level menus as poetry generator, for when lines branch and branch. When writing a poem, often any line could generate out new directions, intersecting poems, branching possibilities. Using the modified code of a menu-sub-menu, I am experimenting with a poem within a poem within a poem. Enjambment as menu as poetic turn. A few factors I'm playing with: 1. the menu fade away timing (more or less?) 2. the mixing of various level depths 3. only one first entry, that extends to dozens of depths? 4. how else might this be used? 5. Rollover or On Press to trigger? <a href="http://heliozoa.com/?p=69#more-69">Source of Artist Statement</a> Digital poetry Jason Nelson Net art https://adelta.uws.edu.au/files/original/d090847d88b831dd82ecf4755e85caea.png 4709153f7be5244317d0b9465ac57045 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.netpoetic.com/experiments/npoem4.html">http://www.netpoetic.com/experiments/npoem4.html</a> Artist Statement A statement about the work, as provided by the artist(s). A fancy way/method for branching, poetic lines out of lines, extending the poem down and out, read through node or nodeless. The poetic notion is more than simple. Write a poem, perhaps ten lines long. Then explore each of the lines, imagine poems which might build from them. Your poem might now have three branches extending from the trunk. Now choose lines from the branches and extend those, trees on trees. Geometry is both important and not important. Such meaningless statements are designed to coax vague thoughts an academic wonder. Are you now an academic wonder? You are. You are. Just because I am silly doesn't mean I'm not entirely serious. Whatever that means. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://heliozoa.com/?p=69#more-69">Description from author's website</a> Genre Web based digital poetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Nelson_Branch Title A name given to the resource Branch digital poem Creator An entity primarily responsible for making the resource Nelson, Jason Language A language of the resource English Rights Information about rights held in and over the resource Copyright Jason Nelson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Digital poetry Net art Description An account of the resource Artist Statement A fancy way/method for branching, poetic lines out of lines, extending the poem down and out, read through node or nodeless. The poetic notion is more than simple. Write a poem, perhaps ten lines long. Then explore each of the lines, imagine poems which might build from them. Your poem might now have three branches extending from the trunk. Now choose lines from the branches and extend those, trees on trees. Geometry is both important and not important. Such meaningless statements are designed to coax vague thoughts an academic wonder. Are you now an academic wonder? You are. You are. Just because I am silly doesn't mean I'm not entirely serious. Whatever that means. <a href="http://heliozoa.com/?p=69#more-69">Source of Artist Statement</a> Digital poetry Jason Nelson Net art https://adelta.uws.edu.au/files/original/176fbb9fd0fc1c77e2079dae9e4ceb70.png 4586ae5fe2e1fdf0dec7556c3f5f5ce4 https://adelta.uws.edu.au/files/original/6c726b3c2c571c90a33faefde3426645.png 11922fe9c7cd927becaa30bbf49a584f https://adelta.uws.edu.au/files/original/8940ff3be911e602f6f9bae6cb062144.png f04d92a4684ab927e49381916cb2f0a2 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Media Web based digital poetry Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.secrettechnology.com/ausco/poecubic2.html">http://www.secrettechnology.com/ausco/poecubic2.html</a> Artist Statement A statement about the work, as provided by the artist(s). Multidimensional/interactive cube poem, based on the puzzle, but impossible to solve. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.secrettechnology.com/">Description from author's website</a> Genre Web based digital poetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Nelson_birds Title A name given to the resource Birds still warm from flying Creator An entity primarily responsible for making the resource Nelson, Jason Language A language of the resource English Rights Information about rights held in and over the resource Copyright Jason Nelson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Digital poetry Net art Description An account of the resource Artist Statement Multidimensional/interactive cube poem, based on the puzzle, but impossible to solve. <a href="http://www.secrettechnology.com/">Source of Artist Statement</a> Digital poetry Jason Nelson Net art https://adelta.uws.edu.au/files/original/628c572f092f330b19ac0535b0804281.png 596d97736104ec6b3d8a746dea4cdc03 https://adelta.uws.edu.au/files/original/a4af1d3d2c04d6a992b0321d54fbdf7e.png 0a5a923b02a22e6cdf0c86226c98a65e https://adelta.uws.edu.au/files/original/cfbaf22d2a763338a967b4e4c0418c17.png 2bbc3b75b4a508115cc3192d99b58e9d ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.secrettechnology.com/madethis/enemy6.html">http://www.secrettechnology.com/madethis/enemy6.html</a> Artist Statement A statement about the work, as provided by the artist(s). i made this. you play this. we are enemies. "is an art game, interactive digital poem which uses game levels built on screen shots from influential community based websites/portals. And using messy hand drawn elements, strange texts, sounds and multimedia layering, the artwork lets users play in the worlds hovering over and beneath what we browse, to exist outside/over their controlling constraints. Your arrow keys and space bar will guide you, with the occasional mouse click begging for attention. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://heliozoa.com/?p=14#more-14">Description from author's website</a> Genre Web based digital poetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Nelson_iMade Title A name given to the resource I made this. You play this. We are Enemies Creator An entity primarily responsible for making the resource Nelson, Jason Date A point or period of time associated with an event in the lifecycle of the resource 2009 Language A language of the resource English Rights Information about rights held in and over the resource Copyright Jason Nelson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Digital poetry Net art Description An account of the resource Artist Statement i made this. you play this. we are enemies. "is an art game, interactive digital poem which uses game levels built on screen shots from influential community based websites/portals. And using messy hand drawn elements, strange texts, sounds and multimedia layering, the artwork lets users play in the worlds hovering over and beneath what we browse, to exist outside/over their controlling constraints. Your arrow keys and space bar will guide you, with the occasional mouse click begging for attention. <a href="http://heliozoa.com/?p=14#more-14">Source of Artist Statement</a> Digital poetry Jason Nelson Net art https://adelta.uws.edu.au/files/original/0a72d08cd4a65fa1eb4e341b92edf1f8.png 562c6db958ca285bc875961c22d76d23 https://adelta.uws.edu.au/files/original/2712f41cb0e59dd0d7258f5d5864607b.png 92146dab808ffdd875e4b3003b492b49 https://adelta.uws.edu.au/files/original/f5f733f54c839af5ab324f0484f5319a.png 1aa6893d45ecfc3e16738802fbbfe963 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Media Web based digital poetry Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.secrettechnology.com/doomcount/endhere.html">http://www.secrettechnology.com/doomcount/endhere.html</a> Artist Statement A statement about the work, as provided by the artist(s). Series of short ficto-doomsday stones using with real-time countdowns to the end of times. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.secrettechnology.com/">Description from author's website</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Nelson_endings Title A name given to the resource Endings eventually end Creator An entity primarily responsible for making the resource Nelson, Jason Date A point or period of time associated with an event in the lifecycle of the resource 2009 Language A language of the resource English Rights Information about rights held in and over the resource Copyright Jason Nelson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Digital poetry Net art Description An account of the resource Artist Statement Series of short ficto-doomsday stones using with real-time countdowns to the end of times. <a href="http://www.secrettechnology.com/">Source of Artist Statement</a> Digital poetry Jason Nelson Net art https://adelta.uws.edu.au/files/original/268af372b218230190f610ed69804031.png 7b3735146db375cb2960421ebb017c1e https://adelta.uws.edu.au/files/original/dbb7f1caa89feaf556815be01a8c61bc.png 9dd4f5d42a111a0eabedd1c8af5a0a5c https://adelta.uws.edu.au/files/original/ab78058447de3d46e07b77cae2dbc9a5.png 4aa041af19d3c3cdba9dff8f216f46e9 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.secrettechnology.com/songs/harmsong.html">http://www.secrettechnology.com/songs/harmsong.html</a> Artist Statement A statement about the work, as provided by the artist(s). Brief curious video based songs/sound poems with flash animated backgrounds. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.secrettechnology.com/">Description from author's website</a> Genre Web based digital poetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Nelson_stunningly Title A name given to the resource Stunningly harmful songs Creator An entity primarily responsible for making the resource Nelson, Jason Language A language of the resource English Rights Information about rights held in and over the resource Copyright Jason Nelson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Digital poetry Net art Description An account of the resource Artist Statement Brief curious video based songs/sound poems with flash animated backgrounds. <a href="http://www.secrettechnology.com/">Source of Artist Statement</a> Digital poetry Jason Nelson Net art https://adelta.uws.edu.au/files/original/93bcc19a652ba3c6b30b3efa89768b66.png 30ab0fbc9a2dba228009008aaee9f528 https://adelta.uws.edu.au/files/original/e8afc47e111f89aac9337fc10773413e.png f62e24039e2d11d0da16cf74d9f07d6a https://adelta.uws.edu.au/files/original/4421c7ba2ef758ef5b95dbce24c1fb45.png 16e1e70d5a746ec86b0bd68d1e36e803 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.secrettechnology.com/ausco/compass3.html">http://www.secrettechnology.com/ausco/compass3.html</a> Artist Statement A statement about the work, as provided by the artist(s). This strange island continent and its ever dry centre and clusters of wooded sea tethered cities is compass confused. European colonizers are forever pointed north and west, pining for California culture or European roots, the indigenous population is pulled towards the centre, a home where cartographic directions and menus are irrelevant, and an economic engine and future reality that spins hard, thick arrows pointing east. The rest of the world sees this place, this strange residual of British Empire as down, forever down. Wide and Wildly Branded uses the compass as an interface, a rounded guide to poetic lines. The top and bottom, the north and south textual lines are at odds, contrasts abstract and relationship and directionally confused. The background video was shot while lost, hiking by a creek that turned into two creeks and then four, pathways alike and specific, threatening and alluring enough to entice wandering. Turn and play along a downward compass, the Antarctic, the Antarctic. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://heliozoa.com/?p=1#more-1">Description from author's website</a> Genre Web based digital poetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Nelson_wideWidly Title A name given to the resource Wide and Widly Branded Creator An entity primarily responsible for making the resource Nelson, Jason Date A point or period of time associated with an event in the lifecycle of the resource 2010 Language A language of the resource English Rights Information about rights held in and over the resource Copyright Jason Nelson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Digital poetry Net art Description An account of the resource Artist Statement This strange island continent and its ever dry centre and clusters of wooded sea tethered cities is compass confused. European colonizers are forever pointed north and west, pining for California culture or European roots, the indigenous population is pulled towards the centre, a home where cartographic directions and menus are irrelevant, and an economic engine and future reality that spins hard, thick arrows pointing east. The rest of the world sees this place, this strange residual of British Empire as down, forever down. Wide and Wildly Branded uses the compass as an interface, a rounded guide to poetic lines. The top and bottom, the north and south textual lines are at odds, contrasts abstract and relationship and directionally confused. The background video was shot while lost, hiking by a creek that turned into two creeks and then four, pathways alike and specific, threatening and alluring enough to entice wandering. Turn and play along a downward compass, the Antarctic, the Antarctic. <a href="http://heliozoa.com/?p=1#more-1">Source of Artist Statement</a> Digital poetry Jason Nelson Net art https://adelta.uws.edu.au/files/original/c7053c8a36cc3982046a792313b30252.png b1e9b405a70374576ff94896c02389fe https://adelta.uws.edu.au/files/original/c5505669f636057f338d4d73b7bbf2cf.png b1609ba91c17f7a776db124b1f1a9544 https://adelta.uws.edu.au/files/original/5377205918aff1f11373ec33ecb9f99d.png e385f7bdb95853d4ebabdaa6cce29dfa ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.secrettechnology.com/gamegame/gamegame.html">http://www.secrettechnology.com/gamegame/gamegame.html</a> Artist Statement A statement about the work, as provided by the artist(s). GGGAG is a digital poem, game, and anti-design statement. The western world's surroundings, belief systems, designed culture-games, create the built illusion of clean lines and definitive choice, cold narrow pathways of five colours, three body sizes and capsule philosophy. Within new media art the techno-filter extends these straight lines into exacting geometries and smooth bit rates. This game attempts to re-introduce the hand-drawn, the messy and illogical into the digital, via a retro-game. Hovering above and attached to the poorly drawn aesthetic is a personal examination of how we/I continually switch and un-switch our dominate belief systems. Moving from faith to real estate, from chemistry to capitalism, triggering corrected poetry, jittering creatures and death and deathless noises. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://heliozoa.com/?p=14#more-14">Description from author's website</a> Genre Web based digital poetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Nelson_game Title A name given to the resource Game, Game, Game and Again Game Creator An entity primarily responsible for making the resource Nelson, Jason Date A point or period of time associated with an event in the lifecycle of the resource 2007-8 Language A language of the resource English Rights Information about rights held in and over the resource Copyright Jason Nelson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Digital poetry Game Net art Description An account of the resource Artist Statement GGGAG is a digital poem, game, and anti-design statement. The western world's surroundings, belief systems, designed culture-games, create the built illusion of clean lines and definitive choice, cold narrow pathways of five colours, three body sizes and capsule philosophy. Within new media art the techno-filter extends these straight lines into exacting geometries and smooth bit rates. This game attempts to re-introduce the hand-drawn, the messy and illogical into the digital, via a retro-game. Hovering above and attached to the poorly drawn aesthetic is a personal examination of how we/I continually switch and un-switch our dominate belief systems. Moving from faith to real estate, from chemistry to capitalism, triggering corrected poetry, jittering creatures and death and deathless noises. <a href="http://heliozoa.com/?p=14#more-14">Source of Artist Statement</a> Digital poetry Game Jason Nelson Net art