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              <text>The World Machine originates in Ludea. Its function is to transmutate the city streets to provide a suitable habitat for Ludean lifeforms. At its core are seven tags that appear in scenes that are at once familiar and alien  simultaneously read by humans and machines  augmenting and mutating urban space.</text>
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                <text>&lt;strong&gt;Artist Statement&lt;br /&gt;&lt;/strong&gt;The World Machine originates in Ludea. Its function is to transmutate the city streets to provide a suitable habitat for Ludean lifeforms. At its core are seven tags that appear in scenes that are at once familiar and alien simultaneously read by humans and machines augmenting and mutating urban space.&lt;br /&gt;&lt;a href="http://vimeo.com/45041898"&gt;Description from Vimeo&lt;/a&gt;</text>
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              <text>Autograf is an asemic writing system that generates tags by recombining marks and gestures used in graffiti tagging. The languages generated by this process are both familiar and alien its tags look like letters but remain indecipherable. It is constantly and rapidly reinscribing itself as if being generated by a gang of autonomous mecha-graf artists. The tags consume and erase one another and those that survive reproduce with one another to create stylistic hybrids. The processes behind this interaction are modelled on an experimental ecosystem made of language tags have energy, they live and die, replicate, and may steal or give energy to their neighbours. This ecosystem is sonified the generated soundtrack reflects the ebb and flow of energy in the system.</text>
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                <text>&lt;strong&gt;Artist Statement&lt;/strong&gt;&lt;br /&gt;Autograf is an asemic writing system that generates tags by recombining marks and gestures used in graffiti tagging. The languages generated by this process are both familiar and alien its tags look like letters but remain indecipherable. It is constantly and rapidly reinscribing itself as if being generated by a gang of autonomous mecha-graf artists. The tags consume and erase one another and those that survive reproduce with one another to create stylistic hybrids. The processes behind this interaction are modelled on an experimental ecosystem made of language tags have energy, they live and die, replicate, and may steal or give energy to their neighbours. This ecosystem is sonified the generated soundtrack reflects the ebb and flow of energy in the system.&lt;br /&gt;&lt;a href="http://vimeo.com/32559175"&gt;Description from Vimeo&lt;/a&gt;</text>
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              <text>Colony is part artificial lifeform, part icon of a digital media landscape. The weathered totems use light and sound to communicate with one another in response to human presence. Affect the colour and sound patterns of the artwork by walking through the environment or playing the totems with your iPhone.</text>
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              <text>Think about Ludea as a 21st century version of the board game Ludo. On the streets of Melbourne three warring cultures struggle for territory: Neo-Materialists use traditional forms of communication such as words. Post-Symbolics communicate only through images, and Post-Humans are reliant on machines for communication. Each tribe gathers resources and tags in colour - Neo-Materialist orange, Post-Symbolic green and Post-Human blue. Victory goes to the clan that achieves the widest domain. Ludea is a micro-nation seeping into our own world and visible for the first time.</text>
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                <text>The works by Ruark Lewis and Jonathan Jones are orchestrated in a colour symphony of reds, blacks and whites. As one enters the space, you are greeted by 'flags' with superimposed printed text, objects that are painted over with stripes, and a curiously long sketch that stretches most of the perimeter of the wall space The audio work start to creep under one's skin as we walk from the front space to the back, like being in a live theatre performance. The sound installation utters, stammers and bewilders. The cacophony range of nuances in 'b' and 's' sounds, are startling and at best, brilliant. As the sound installation loops, we are presented with a range of bare minimal sentences, half uttered words that express Anger (the most distinct), Sadness, Calmness and so on. Ironically, a flag, a 'sign' and an object communicates too, with the stenciled words 'silence is golden'. It leads me to speculate that the works could deal with the gaps of communication, between silences, mutters and tone of voice.&lt;br /&gt;&lt;a href="http://boonscafe.wordpress.com/2007/09/29/index-of-kindness-by-ruark-lewis-and-jonathan-jones/#comments"&gt;Description from Boonscafe, an Art review blog based in Singapore&lt;/a&gt;</text>
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                <text>This work is a poetic tour de force in which Mann shows how much information can be lost when language is written down. Intonation, cadence, volume, emphasis, pause, breathing, and so much nonverbal information infuses the recorded vocal performances of these texts that the written texts pale by comparison. Mann provides access to both written and audio texts in a minimalist interface that takes a little getting used to both online and in the iOS app. It invites clicking around, which results in fascinatingly incomprehensible speech, as the audio files become layered and words jumble together. The great thing about this layering is that, while we lose individual words and their meanings, we gain a heightened sense of the rhythms and musicality of Mann's speech.&lt;br /&gt;&lt;a href="http://iloveepoetry.com/?p=295"&gt;Excerpt from Leonardo Flores' description in I love E-Poetry&lt;/a&gt;</text>
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