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A hole is cut into a sealed over fireplace in what was once a boy's classroom.. A sound work is placed inside the chimney of a lesson being given on the human digestive system. A stream of red pencils seems to flow from the chimney through a hole in the floor. The sound track is very quiet. The smell of camphor flakes wafts up with the air movements within the chimney.<br /><a href=\"http://www.sounddesign.unimelb.edu.au/web/biogs/P000305b.htm\">Excerpt from the Australian Sound Design Project</a>"]]]],["element",{"elementId":"44"},["name","Language"],["description","A language of the resource"],["elementTextContainer",["elementText",{"elementTextId":"565"},["text","English "]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"3559"},["text","Copyright Nola Farman. 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Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder."]]]],["element",{"elementId":"49"},["name","Subject"],["description","The topic of the resource"],["elementTextContainer",["elementText",{"elementTextId":"3935"},["text","Installation"]]]]]]],["tagContainer",["tag",{"tagId":"16"},["name","Installation"]],["tag",{"tagId":"73"},["name","Nola Farman"]]]],["item",{"itemId":"60","public":"1","featured":"1"},["itemType",{"itemTypeId":"18"},["name","ADELTA Item"],["description","Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA)."],["elementContainer",["element",{"elementId":"95"},["name","Platform"],["description","Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime"],["elementTextContainer",["elementText",{"elementTextId":"670"},["text","CD ROM"]]]],["element",{"elementId":"101"},["name","Work URL"],["description","The URL of the original work, included as an HTML link."],["elementTextContainer",["elementText",{"elementTextId":"671"},["text","<a href=\"http://artworkscatalogue.griffith.edu.au/web/pages/gal/Display.php?irn=1980&amp;%3C/div%3E%20%20%20%20%20%20%20%20%20%20%20%20%20%20%20%20%20%20%20%20%3Cdiv%20class=\"> Griffith University Art Collection</a>"]]]],["element",{"elementId":"100"},["name","Source of Description"],["description","The source of information included in the Description, included as an HTML link to the relevant URL where possible."],["elementTextContainer",["elementText",{"elementTextId":"675"},["text","<a href=\"http://artworkscatalogue.griffith.edu.au/web/pages/gal/Display.php?irn=1980&amp;%3C/div%3E%20%20%20%20%20%20%20%20%20%20%20%20%20%20%20%20%20%20%20%20%3Cdiv%20class=\"> Griffith University Art Collection</a>"]]]],["element",{"elementId":"96"},["name","Genre"],["description"],["elementTextContainer",["elementText",{"elementTextId":"3203"},["text","Interactive multimedia"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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The work thus bridges the gap between fine art and popular culture and creates a sophisticated intermedia dialogue. The involvement of the viewer and the use of found popular material questions traditional notions of originality and the traditional role of technique and training in artmaking. Nola Farman is a central figure in electronic media-based art.<br /> Source of Description: <a href=\"http://artworkscatalogue.griffith.edu.au/web/pages/gal/Display.php?\">Griffith University Art Collection</a>"]]]],["element",{"elementId":"44"},["name","Language"],["description","A language of the resource"],["elementTextContainer",["elementText",{"elementTextId":"677"},["text","English "]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"3568"},["text","Copyright Nola Farman and Anna Gibbs. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. 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The text by Hazel Smith which forms the basis of Mid-Air Conversations consists of seventeen short fragments. All the fragments are stylistically and thematically different from each of the others, and explore a variety of locations or historical situations, but there are some overlapping concerns. The piece points to a range of political conflicts but also to another space, one without a specific geographical or historical identity, where such problems might be overcome. To this end the piece includes its own language, constructed out of the words that compose the piece, raising the question: is this the language of that other space and if so how can we begin to adopt and understand it?<br /><a href=\"http://writing.upenn.edu/pennsound/x/Smith-Dean.php\">Excerpt from PennSound, Center For Programs In Contemporary Writing</a>"]]]],["element",{"elementId":"44"},["name","Language"],["description","A language of the resource"],["elementTextContainer",["elementText",{"elementTextId":"2427"},["text","English"]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"3661"},["text","Copyright Hazel Smith and the austraLYSIS electroband. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder."]]]]]]],["tagContainer",["tag",{"tagId":"228"},["name","AustraLYSIS Electroband"]],["tag",{"tagId":"227"},["name","Greg White"]],["tag",{"tagId":"185"},["name","Hazel Smith"]],["tag",{"tagId":"79"},["name","Multimedia"]],["tag",{"tagId":"189"},["name","Performative text"]],["tag",{"tagId":"27"},["name","Roger Dean"]]]],["item",{"itemId":"237","public":"1","featured":"1"},["fileContainer",["file",{"fileId":"679"},["src","https://adelta.uws.edu.au/files/original/787fe0a371f0f0018a05147c9e75388f.jpg"],["authentication","bc0f066074e60a00646f962980d0cecf"]]],["itemType",{"itemTypeId":"18"},["name","ADELTA Item"],["description","Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA)."],["elementContainer",["element",{"elementId":"95"},["name","Platform"],["description","Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime"],["elementTextContainer",["elementText",{"elementTextId":"2697"},["text","Video installation"]]]],["element",{"elementId":"101"},["name","Work URL"],["description","The URL of the original work, included as an HTML link."],["elementTextContainer",["elementText",{"elementTextId":"2698"},["text","<a href=\"http://www.mca.com.au/collection/work/20128/\">http://www.mca.com.au/collection/work/20128/</a>"]]]],["element",{"elementId":"96"},["name","Genre"],["description"],["elementTextContainer",["elementText",{"elementTextId":"2930"},["text","Video installation"]]]],["element",{"elementId":"104"},["name","Image 1 Description / Attribution"],["description","Information provided from the work's creator(s); either describing the image which represents the work, or attribution of the image which represents the work within ADELTA."],["elementTextContainer",["elementText",{"elementTextId":"2934"},["text","Grant Stevens, Mingling, 2011, digital video with sound, 5 min 30 sec, video still, courtesy the artist and Sullivan + Strumpf, Sydney"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Other source material will be diaries and letters that refer to Dawes and Patyegarang (i.e., Elizabeth Macarthur's letters & journals). The secondary source material will be current writings and interpretations of their encounter (i.e. Inga Clendinnen's Dancing With Strangers). The other source text will be what the artists bring of themselves to the work, personal text, cultural stories, constellation and creation myths  and their 'speakings back' to Dawes and Patyegarang from varying viewpoints. We aim to devise a chorus ensemble of indigenous performers to counterpoint the dual Dawes  Patyegarang  protagonist/s structure."]]]],["element",{"elementId":"98"},["name","Source of Artist Statement"],["description","The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible."],["elementTextContainer",["elementText",{"elementTextId":"1947"},["text","<a href=\"http://katerichards.net/art/dawes-point/\">Excerpt from author's website</a>"]]]],["element",{"elementId":"96"},["name","Genre"],["description"],["elementTextContainer",["elementText",{"elementTextId":"3075"},["text","Live performance work"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Other source material will be diaries and letters that refer to Dawes and Patyegarang (i.e., Elizabeth Macarthur's letters &amp; journals).<br />The secondary source material will be current writings and interpretations of their encounter (i.e. Inga Clendinnen's Dancing With Strangers). The other source text will be what the artists bring of themselves to the work, personal text, cultural stories, constellation and creation myths and their 'speakings back' to Dawes and Patyegarang from varying viewpoints. We aim to devise a chorus ensemble of indigenous performers to counterpoint the dual Dawes Patyegarang protagonist/s structure.<br /><a href=\"http://katerichards.net/art/dawes-point/\">Source of Artist Statement</a>"]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"4138"},["text","The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder."]]]]]]],["tagContainer",["tag",{"tagId":"155"},["name","Kate Richards"]],["tag",{"tagId":"103"},["name","Multimedia performance"]],["tag",{"tagId":"157"},["name","Ross Gibson"]]]],["item",{"itemId":"28","public":"1","featured":"1"},["fileContainer",["file",{"fileId":"837"},["src","https://adelta.uws.edu.au/files/original/4f8eb38d7978c6ac9ef4869d42ec4900.png"],["authentication","f84da67cafddc0acfd744c94ea49faff"]]],["itemType",{"itemTypeId":"18"},["name","ADELTA Item"],["description","Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA)."],["elementContainer",["element",{"elementId":"94"},["name","Media"],["description"],["elementTextContainer",["elementText",{"elementTextId":"311"},["text","Video"]]]],["element",{"elementId":"95"},["name","Platform"],["description","Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime"],["elementTextContainer",["elementText",{"elementTextId":"313"},["text","Flash"]]]],["element",{"elementId":"96"},["name","Genre"],["description"],["elementTextContainer",["elementText",{"elementTextId":"314"},["text","Video"]]]],["element",{"elementId":"101"},["name","Work URL"],["description","The URL of the original work, included as an HTML link."],["elementTextContainer",["elementText",{"elementTextId":"315"},["text","<a href=\"http://chriscaines.com/?page_id=66\">http://chriscaines.com/?page_id=66</a>"]]]],["element",{"elementId":"100"},["name","Source of Description"],["description","The source of information included in the Description, included as an HTML link to the relevant URL where possible."],["elementTextContainer",["elementText",{"elementTextId":"317"},["text","Gillian Fuller"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Motifs of acceleration, driving, train travel, ships on the ocean create a 'oceans of static' as communications and transport merge creating a cinematic world in which split screens of dreamscapes and motionscapes merge into one abstract contemplation of ' the history of luminous motion'.<br />Gillian Fuller"]]]],["element",{"elementId":"44"},["name","Language"],["description","A language of the resource"],["elementTextContainer",["elementText",{"elementTextId":"318"},["text","English"]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"3549"},["text","Copyright Chris Caines. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder."]]]],["element",{"elementId":"49"},["name","Subject"],["description","The topic of the resource"],["elementTextContainer",["elementText",{"elementTextId":"3974"},["text","Electronic writing"]],["elementText",{"elementTextId":"3975"},["text","Video"]]]]]]],["tagContainer",["tag",{"tagId":"55"},["name","Chris Caines"]],["tag",{"tagId":"4"},["name","Electronic writing"]],["tag",{"tagId":"54"},["name","Video"]]]],["item",{"itemId":"151","public":"1","featured":"1"},["fileContainer",["file",{"fileId":"405"},["src","https://adelta.uws.edu.au/files/original/01389324f66a3cf3330d4dc686421226.png"],["authentication","5cc2660573cf20d8a26b285d2e33ce27"]],["file",{"fileId":"406"},["src","https://adelta.uws.edu.au/files/original/5944e689c14d679cd0520eaae6cca57c.png"],["authentication","70727151521165a30459fba5d3f4f1fc"]],["file",{"fileId":"407"},["src","https://adelta.uws.edu.au/files/original/237ef349bf531dcc5f0884e16b9d6c8b.png"],["authentication","77235034509a15499be176c2cff20112"]]],["itemType",{"itemTypeId":"18"},["name","ADELTA Item"],["description","Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA)."],["elementContainer",["element",{"elementId":"95"},["name","Platform"],["description","Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime"],["elementTextContainer",["elementText",{"elementTextId":"1658"},["text","Flash"]]]],["element",{"elementId":"101"},["name","Work URL"],["description","The URL of the original work, included as an HTML link."],["elementTextContainer",["elementText",{"elementTextId":"1661"},["text","<a href=\"http://turbulence.org/studios/rumor/museum/\">http://turbulence.org/studios/rumor/museum/</a>"]]]],["element",{"elementId":"100"},["name","Source of Description"],["description","The source of information included in the Description, included as an HTML link to the relevant URL where possible."],["elementTextContainer",["elementText",{"elementTextId":"1663"},["text","<a href=\"http://www.umbc.edu/cadvc/blur/outofsync.html\">Excerpt from the Center for Art and Visual Culture <br /></a>"]]]],["element",{"elementId":"96"},["name","Genre"],["description"],["elementTextContainer",["elementText",{"elementTextId":"3115"},["text","Web/Site specific installation"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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The website uses Gertrude Stein as a node for a network of associations in six frames, each with diverse 'rumours,' including Tourneur's Cat People film and Our Lady of Coogee, an apparition of the Virgin Mary on a beach in Sydney, Australia, where you can hear people saying 'I saw her on Thursday' or 'its unexplainable.' The site engages nineteenth century writer Alfred Jarry's notion of pataphysics: \"The science of imaginary solutions, which symbolically attributes the properties of objects, described by their virtuality, to their lineaments.' The Museum of Rumour plumbs the terrain of analogy to reveal our mind's desire to intuitively connect images, experiences, sounds, and information across known and unknown to create maps of understanding across difference and invisibility.<br /><a href=\"http://www.umbc.edu/cadvc/blur/outofsync.html\">Excerpt from the Center for Art and Visual Culture <br /></a>"]]]],["element",{"elementId":"44"},["name","Language"],["description","A language of the resource"],["elementTextContainer",["elementText",{"elementTextId":"1664"},["text","English"]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"3620"},["text","Copyright Norie Neumark and Maria Miranda. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder."]]]]]]],["tagContainer",["tag",{"tagId":"16"},["name","Installation"]],["tag",{"tagId":"140"},["name","Out-of-sync"]]]],["item",{"itemId":"258","public":"1","featured":"0"},["fileContainer",["file",{"fileId":"701"},["src","https://adelta.uws.edu.au/files/original/177339ef1754d03476e7b9a42320182f.png"],["authentication","c1306c6166750b4043e56579e65cef6e"]],["file",{"fileId":"702"},["src","https://adelta.uws.edu.au/files/original/01d68d317739bba2aa16809f470dca4d.png"],["authentication","71755919bc58b187570fbdd75f3fc444"]]],["itemType",{"itemTypeId":"18"},["name","ADELTA Item"],["description","Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA)."],["elementContainer",["element",{"elementId":"98"},["name","Source of Artist Statement"],["description","The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible."],["elementTextContainer",["elementText",{"elementTextId":"3274"},["text","<a href=\"https://vimeo.com/18043105\">https://vimeo.com/18043105</a>"]]]],["element",{"elementId":"96"},["name","Genre"],["description"],["elementTextContainer",["elementText",{"elementTextId":"3275"},["text","Video"]]]],["element",{"elementId":"95"},["name","Platform"],["description","Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime"],["elementTextContainer",["elementText",{"elementTextId":"3276"},["text","Digital Video"]]]],["element",{"elementId":"101"},["name","Work URL"],["description","The URL of the original work, included as an HTML link."],["elementTextContainer",["elementText",{"elementTextId":"3277"},["text","<a href=\"https://vimeo.com/18043105\">https://vimeo.com/18043105</a>"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"3270"},["text","Name that Movie"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"3271"},["text","\"‘Name that Movie’ explores common colonisation techniques through the “gods eye” of mainstream movies with an international reach. When witnessing a recurring action, some say ‘I’ve seen that movie’. it is an ambiguous expression of dismissal / resignation / fatigue, recognising predictability and history repeating itself, unless of course you haven’t seen the movie or are unaware of the history. Then the expression is a way of opening up discussion. naming and defining is a way of breaking down the power of neo-liberal actions. In this instance ‘name that movie’ is a video that’s set up like a game, a drinking game maybe?\r\nThe object of the game is to guess the movie through summary cues and a film excerpt. There are only nine (re)colonisation techniques named here, but there are plenty more. If you don’t recognise these movies then when you’re next on the couch – keep your sharp eye open. If you do recognise these colonisation techniques, then you need to get off the couch – with your sharp tongue! keep naming the movies.\""]]]],["element",{"elementId":"39"},["name","Creator"],["description","An entity primarily responsible for making the resource"],["elementTextContainer",["elementText",{"elementTextId":"3272"},["text","Fraser, Jenny"]]]],["element",{"elementId":"40"},["name","Date"],["description","A point or period of time associated with an event in the lifecycle of the resource"],["elementTextContainer",["elementText",{"elementTextId":"3273"},["text","2007"]]]],["element",{"elementId":"49"},["name","Subject"],["description","The topic of the resource"],["elementTextContainer",["elementText",{"elementTextId":"4088"},["text","Digital video"]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"4145"},["text","The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder."]]]]]]],["tagContainer",["tag",{"tagId":"203"},["name","Digital video"]]]],["item",{"itemId":"145","public":"1","featured":"1"},["fileContainer",["file",{"fileId":"385"},["src","https://adelta.uws.edu.au/files/original/acaf71253e1c37deebcab9cf049c45ff.png"],["authentication","efc1b66300e29cbc2d336b841850c416"]],["file",{"fileId":"386"},["src","https://adelta.uws.edu.au/files/original/199115cb350ded393f343fe0a7869a0b.png"],["authentication","2a1b802ca0415f1f7baea47e3b7d2146"]],["file",{"fileId":"388"},["src","https://adelta.uws.edu.au/files/original/2c0fcdf0c93138b371ad46f709a99b14.png"],["authentication","4f7ff967d4237652041b89cf5c0d1977"]]],["itemType",{"itemTypeId":"18"},["name","ADELTA Item"],["description","Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA)."],["elementContainer",["element",{"elementId":"95"},["name","Platform"],["description","Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime"],["elementTextContainer",["elementText",{"elementTextId":"1595"},["text","Flash"]]]],["element",{"elementId":"101"},["name","Work URL"],["description","The URL of the original work, included as an HTML link."],["elementTextContainer",["elementText",{"elementTextId":"1596"},["text","<a href=\"http://www.heliozoa.com/clone.html\">http://www.heliozoa.com/clone.html</a>"]]]],["element",{"elementId":"93"},["name","Artist Statement"],["description","A statement about the work, as provided by the artist(s)."],["elementTextContainer",["elementText",{"elementTextId":"1597"},["text","Cloned sheep with teeth outside their skulls, recreate the cloning gone bad process with a hyperpoetic context. Includes an embarrassingly bad \"matrix\" interface."]]]],["element",{"elementId":"98"},["name","Source of Artist Statement"],["description","The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible."],["elementTextContainer",["elementText",{"elementTextId":"1598"},["text","<a href=\"http://www.secrettechnology.com/\">Description from author's website</a>"]]]],["element",{"elementId":"96"},["name","Genre"],["description"],["elementTextContainer",["elementText",{"elementTextId":"3138"},["text","Web based digital poetry\r\n"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"43"},["name","Identifier"],["description","An unambiguous reference to the resource within a given context"],["elementTextContainer",["elementText",{"elementTextId":"1591"},["text","Nelson_nineAttempts"]]]],["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1592"},["text","Nine Attempts to Clone a Poem"]]]],["element",{"elementId":"39"},["name","Creator"],["description","An entity primarily responsible for making the resource"],["elementTextContainer",["elementText",{"elementTextId":"1593"},["text","Nelson, Jason"]]]],["element",{"elementId":"44"},["name","Language"],["description","A language of the resource"],["elementTextContainer",["elementText",{"elementTextId":"1599"},["text","English"]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"3614"},["text","Copyright Jason Nelson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder."]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"3709"},["text","<strong>Artist Statement</strong><br />Cloned sheep with teeth outside their skulls, recreate the cloning gone bad process with a hyperpoetic context. 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By working across two computers two texts are produced simultaneously."]]]],["element",{"elementId":"98"},["name","Source of Artist Statement"],["description","The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible."],["elementTextContainer",["elementText",{"elementTextId":"520"},["text","<a href=\"http://www.bendenham.com/\">Description from author's website</a>"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"43"},["name","Identifier"],["description","An unambiguous reference to the resource within a given context"],["elementTextContainer",["elementText",{"elementTextId":"512"},["text","Denham_no_strings"]]]],["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"513"},["text","No Strings"]]]],["element",{"elementId":"39"},["name","Creator"],["description","An entity primarily responsible for making the resource"],["elementTextContainer",["elementText",{"elementTextId":"514"},["text","Denham, Ben "]]]],["element",{"elementId":"40"},["name","Date"],["description","A point or period of time associated with an event in the lifecycle of the resource"],["elementTextContainer",["elementText",{"elementTextId":"516"},["text","2007"]]]],["element",{"elementId":"44"},["name","Language"],["description","A language of the resource"],["elementTextContainer",["elementText",{"elementTextId":"521"},["text","English"]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"3555"},["text","Copyright Ben Denham. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder."]]]],["element",{"elementId":"49"},["name","Subject"],["description","The topic of the resource"],["elementTextContainer",["elementText",{"elementTextId":"3944"},["text","Video performance"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"3945"},["text","<strong>Artist Statement</strong> <br />Hacking a roller-ball mouse to separate the x and y axes of cursor control. horizontal cursor-movement is controlled by the arms, with vertical movement controlled by the legs. 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The work is made of books and has a sound work of a variety of exclamations.<br /><a href=\"http://www.sounddesign.unimelb.edu.au/web/biogs/P000300b.htm\">Excerpt from the Australian Sound Design Project</a>"]]]],["element",{"elementId":"44"},["name","Language"],["description","A language of the resource"],["elementTextContainer",["elementText",{"elementTextId":"576"},["text","English "]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"3560"},["text","Copyright Nola Farman. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder."]]]],["element",{"elementId":"49"},["name","Subject"],["description","The topic of the resource"],["elementTextContainer",["elementText",{"elementTextId":"3934"},["text","Installation"]]]]]]],["tagContainer",["tag",{"tagId":"16"},["name","Installation"]],["tag",{"tagId":"73"},["name","Nola Farman"]]]],["item",{"itemId":"257","public":"1","featured":"0"},["fileContainer",["file",{"fileId":"694"},["src","https://adelta.uws.edu.au/files/original/5ea003afacc9588018d2a6f2318690c7.png"],["authentication","7c4cda21d91392f1a4f44473c5644ba9"]],["file",{"fileId":"695"},["src","https://adelta.uws.edu.au/files/original/c0b49272a7dc8d3fdebe05ab38a97e29.PNG"],["authentication","acf087bde1651a7d553c001572e083c7"]]],["itemType",{"itemTypeId":"18"},["name","ADELTA Item"],["description","Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA)."],["elementContainer",["element",{"elementId":"93"},["name","Artist Statement"],["description","A statement about the work, as provided by the artist(s)."],["elementTextContainer",["elementText",{"elementTextId":"3266"},["text","other[wize] is a new media arts project that celebrates the lives of Yugambeh family members that were moved from their traditional homelands in SE \"Queensland\", to work on properties in the Gulf of Carpentaria. The project highlights an era of 1800's colonial australia and explores the prickly issues of Native Policing, dispossession, displacement, massacres and survival [… ]other[wize] is an interactive work where stories are imparted through the use of family photographs, video, audio, and text - including Yugambeh language and relevant  historical documents.  The 'objects' are representative of important people or events and they transport the viewer to a story about someone from the past […] Events evolve in a non-linear way, grasping at the unknown, not sure of what will be found or how it relates to other information, until perhaps another time, leaving the viewer without a Narrator.  This concept reflects how many Aboriginal people experience family histories.  The viewer has the opportunity to experience a similar 'fragmentation' of history and they might think about their own relationship to place and times."]]]],["element",{"elementId":"96"},["name","Genre"],["description"],["elementTextContainer",["elementText",{"elementTextId":"3267"},["text","Multimedia installation"]]]],["element",{"elementId":"95"},["name","Platform"],["description","Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime"],["elementTextContainer",["elementText",{"elementTextId":"3268"},["text","CD ROM / interactive installation / Linker social software"]]]],["element",{"elementId":"101"},["name","Work URL"],["description","The URL of the original work, included as an HTML link."],["elementTextContainer",["elementText",{"elementTextId":"3269"},["text","<a href=\"http://www.wooloo.org/exhibition/entry/81087\">http://www.wooloo.org/exhibition/entry/81087</a>"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"3261"},["text","Other[wize]"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"3262"},["text","In her multimedia installation, other[wize], Jenny Fraser recounts and reflects on her family history, and she describes it as ‘celebrating the lives of Mununjali family members that were moved from their traditional homelands in South East Queensland, to work on properties in the Gulf of Carpentaria’. Memory is pivotal and, as Salman Rushdie writes in Imaginary Homelands, ‘the struggle of man against power ... is the struggle of memory against forgetting’. <a href=\"https://www.academia.edu/2223656/other_wiz\">Excerpt from Other[wize] essay, Linda Carroli</a>"]],["elementText",{"elementTextId":"3478"},["text","<strong>Artist Statement</strong><br />other[wize] is a new media arts project that celebrates the lives of Yugambeh family members that were moved from their traditional homelands in SE \"Queensland\", to work on properties in the Gulf of Carpentaria. The project highlights an era of 1800's colonial australia and explores the prickly issues of Native Policing, dispossession, displacement, massacres and survival [… ]other[wize] is an interactive work where stories are imparted through the use of family photographs, video, audio, and text - including Yugambeh language and relevant historical documents. The 'objects' are representative of important people or events and they transport the viewer to a story about someone from the past […] Events evolve in a non-linear way, grasping at the unknown, not sure of what will be found or how it relates to other information, until perhaps another time, leaving the viewer without a Narrator. This concept reflects how many Aboriginal people experience family histories. The viewer has the opportunity to experience a similar 'fragmentation' of history and they might think about their own relationship to place and times."]]]],["element",{"elementId":"39"},["name","Creator"],["description","An entity primarily responsible for making the resource"],["elementTextContainer",["elementText",{"elementTextId":"3263"},["text","Fraser, Jenny"]]]],["element",{"elementId":"40"},["name","Date"],["description","A point or period of time associated with an event in the lifecycle of the resource"],["elementTextContainer",["elementText",{"elementTextId":"3264"},["text","2005"]]]],["element",{"elementId":"56"},["name","Date Created"],["description","Date of creation of the resource."],["elementTextContainer",["elementText",{"elementTextId":"3265"},["text","2005"]]]],["element",{"elementId":"49"},["name","Subject"],["description","The topic of the resource"],["elementTextContainer",["elementText",{"elementTextId":"4089"},["text","Multimedia installation"]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"4146"},["text","The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder."]]]]]]],["tagContainer",["tag",{"tagId":"91"},["name","Multimedia installation"]]]]]